Fear and Loathing in House Lannister

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Welcome back! So I’ve been on hiatus waiting for the Winds of Winter, but it’s looking like that won’t be coming until after season 7. I don’t have much in the way of new theories, but I have a few theories I’ve never gotten around to really writing about. Since this one is a bit of an unpopular opinion, I wanted to first give my thoughts on the Lannister siblings and the mystery of the valonquar. Namely that it’s Tyrion.


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“Just because you’re paranoid doesn’t mean they aren’t after you.”
– Joseph Heller

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Tyrion is the Valonqar!

One of the big questions of asoiaf is that of who will be Cersei’s ‘valonqar’, or, the little brother prophesized by Maggy the Frog who (after Cersei has lost everything to a younger more beautiful queen, and her children have all died) will come to choke the life out of her. Now for Cersei this isn’t really a question, as she has long been convinced that this prophesized murderer is Tyrion. Although many fans have speculated that the valonqar need not be Cersei’s little brother specifically, far and away the most common belief in the fandom is that this will instead be her lover and (technically younger) twin brother Jaime.

But is that really how it will play out?

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Yes. Here we go…

Jaime being the valonqar tends to be seen as the most likely outcome on the grounds of symbolism, narrative symmetry, foreshadowing, and how it would subvert the relationship of the twins that was established at the beginning of A Game of Thrones. Though I will admit it’s not a bad theory by any means, I think that if we apply a bit more scrutiny to it, it may not be as strong a theory as it seems. And if we really look at the way the valonqar prophecy affects the narrative, and the way it affects the arcs of the Lannister siblings, it becomes apparent that all along the valonqar has been Tyrion.

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Golden Boys

“Tyrion slid a hand under his father’s chain, and twisted. The links tightened, digging into her neck. “For hands of gold are always cold, but a woman’s hands are warm,” he said. He gave cold hands another twist as the warm ones beat away his tears.” – Tyrion XI, ASOS

One major piece of evidence for why it is expected that Jaime will be the valonqar is the lyric “For hands of gold are always cold, but a woman’s hands are warm.” It has been theorized that this reoccurring song lyric from Tyrion’s chapters foreshadows Jaime’s golden hand choking the life from Cersei, much in the same way Tyrion used a golden chain to choke the life from Shae. Others believe that Jaime will use the golden chain of the hand, which after being used to strangle Shae is now in Cersei’s possession. In either case the symmetry that would be established by the two Lannister brothers both using gold to choke the life from their lovers is cited as strong evidence for the theory that Jaime is the valonqar.

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Except… Tyrion killing his lover already puts him into a trio with Daenerys and Jon, all of whom had a hand in their lovers deaths (and all of whom killed their mothers in childbirth). Meanwhile Jaime already knows Cersei cheated on him, and has essentially already left Cersei to die. Though the show makes Jaime and Cersei find their way back to each other time and time again(likely because show Cersei is a much more complicated, much less evil character), the books have had a gradual distancing between Jaime and Cersei steadily building throughout the narrative. Cersei’s infidelity is a much more frequent and more significant issue in the books than it is on the show, and Jaime’s growing admiration for and attraction to Brienne seems to represent Jaime’s return to the idea of being an honorable man. With each step Jaime takes towards Brienne and chivalry, Jaime moves away from Cersei and selfishness. Essentially, the symmetry is off because Jaime is already falling for someone else, as his dreams (whether they are being sent to him or whether they are his subconscious), have Cersei abandoning him while Brienne comes to his aide more beautiful than ever before.

Which brings me to the next major part of the Jaime = Valonqar theory.

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Burn Them All… Again

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art by Rux Dardiror

“Jaime knew the look in his sister’s eyes. … Even in the baleful glow, Cersei had been beautiful to look upon. She’d stood with one hand on her breast, her lips parted, her green eyes shining. She is crying, Jaime had realized, but whether it was from grief or ecstasy he could not have said.

The sight had filled him with disquiet, reminding him of Aerys Targaryen…” – Jaime II, AFFC

When Jaime chose saving the innocent people of King’s Landing and slaying the Mad King over upholding his vows, Jaime earned famously earned the name Kingslayer. The Mad Queen theory is the belief that Cersei (who herself has a fascination with fire and burning) is becoming mad just like King Aerys II, and will attempt to use the wildfire under King’s Landing as a last ditch effort to burn down the city rather than have it taken. This could be because of Danaerys, but more likely it’s Aegon who is coming first. And there are really several ways this could play out. Though Aegon seems set up to succeed in taking the city, it’s been stated by GRRM that the second Dance of the Dragons doesn’t necessarily have to be about Dany’s invasion, so there is an outside possibility that the books and the show are more similar than we think and that Cersei could successfully use wildfire to defeat Aegon leaving Cersei as Queen in King King’s Landing to face Dany’s invasion. I also think that it’s worth considering that the second Dance of the Dragons that GRRM has planned is not simply a battle between Daenerys and Aegon, but rather a war in which two or more factions have dragons.

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But whether it’s Cersei who will burn down King’s Landing in the same way Aerys attempted to, or Daenerys who will set off the wildfire throughout King’s Landing inadvertently by using dragonfire to take the city, the possibility that Cersei will at least try to use wildfire is certainly there. Plus the foreshadowing for Cersei as a Mad Queen is very overt.

“His sister liked to think of herself as Lord Tywin with teats, but she was wrong. Their father had been as relentless and implacable as a glacier, where Cersei was all wildfire, especially when thwarted.” – Jaime II, AFFC

Though I will note that Aerys was completely mad and expected he would become a dragon, planning on burning down even the Red Keep. On the other hand Cersei’s claim over the Westerlands gives her lands to retreat to. While I could see Cersei killed in a Mad Queen moment as Aegon invades, I could also see Aegon succeeding in taking the city while Cersei flees to Casterly Rock, or I could see Cersei succeeding in repelling Aegon. Regardless of how this shakes out, it’s hard to ignore the potential power of Jaime perhaps realizing that Cersei herself is a monster just like King Aerys, and then having to kill his (former) lover for the greater good, becoming a Queenslayer. History repeats itself.

“And again it’s like poetry, it’s sort of, they rhyme” – George Lucas

Except… now we’re getting our thematic wires crossed a bit. Jaime breaking his vows and killing the Mad King wasn’t about a broken personal relationship or about Jaime realizing that a King he looked up to was a monster. Jaime already knew Aerys was a monster. The Kingslayer moment was about Jaime’s vows being pushed to their breaking point and the complex moral decision to act for the greater utilitarian good rather than to uphold his own personal honor. Slaying Aerys wasn’t an emotional or personal act, but a moral one. Which calls into question just what Jaime killing Cersei would be, because while Jaime stabbed Aerys from behind the valonqar is supposed to strangle Cersei, which seems a much more personal means of killing someone.

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Which brings me to a bit of a problem I have with this theory. If Jaime killing Cersei is primarily a moral act, then strangling doesn’t really fit, nor does the symmetry between Jaime and Tyrion hold up anymore because there was nothing heroic or honorable about Tyrion killing Shae. But if Jaime killing Cersei is also personal, then I’m not so sure that fits with Jaime’s arc.

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Forgetting Cersei Lannister

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“Because you know what I just realized?! You’re the goddamn devil!”

“I cannot die while Cersei lives, he told himself. We will die together as we were born together.” – Jaime VI, ASOS

If we look at the trajectory of his character arc, Jaime Lannister’s narrative is largely about moving away from the influence of Cersei, his own arrogance, and the shame of having betrayed his King (which although it can be argued was the most moral course of action, is seen by Westerosi culture as terribly dishonorable), and towards Brienne, humility, and a rediscovery (or perhaps a reinvention) of what it means to be a truly honorable person. Away from being a man who values himself primarily on his ability to kill, to a man who values justice. Aside from the example of moving from Cersei to Brienne, it’s interestingly enough the loss of Jaime Lannister’s sword hand which jump-starts his development into a more just person, likely because the lack of his ability to fight has forced Jaime to seek out other means of conflict resolution. Where Jaime once valued himself in terms of his skill with the sword and thus his ability to kill, Jaime must now find another use for himself which doesn’t focus on the ability to fight. Essentially Jaime’s story is one of discovering a new (better) self through the loss of the things that once defined him.

But the other significant symbolism of Jaime losing his right hand is that Jaime was born clutching onto Cersei’s left foot. Thus the loss of Jaime’s hand represents the beginning of the severance of the connection between the Lannister twins. In fact, there is reason to believe that Cersei will soon lose a foot due to it getting cut during her walk of shame in which she steps through all manner of infestations (which would put an interesting spin on the Lannister siblings, with one losing a nose, another a hand, and another a foot).

“An east wind blew through his tangled hair, as soft and fragrant as Cersei’s fingers.”

– the first line from Jaime I, ASOS

As Jaime has grown as a character the bond between him and his twin sister has become a rift, which leaves me to wonder why Jaime’s character arc would lead him towards strangling Cersei to death. Jaime’s arc is not about overcoming Cersei, it’s about untangling himself from her. I think it would be a mistake to assume that Jaime killing Cersei would represent Jaime finally being free of Cersei. Murdering an ex. lover doesn’t show that one is over them, it more often shows that one is still consumed by them. So to emotionally strangling Cersei would be a strange culmination of Jaime’s arc, and an even stranger place to take Jaime without it being the end of his story. If Jaime’s arc is truly moving away from Cersei, then the culmination of it is unlikely to come in TWOW during the Aegon invasion. I would be surprised if Jaime was not going to encounter Bran again in some form or another before his story is through, and ultimately I just can’t see Martin killing off Cersei (and Jaime) before Tyrion even makes it back to Westeros.

Alternatively, while Jaime emotionally distancing himself from Cersei is central to Jaime’s arc, we don’t really get the same thing on Cersei’s end. Though Cersei is in the story as early as Eddard I AGOT, her story truly begins just after Twin’s death with her POV in AFFC, as she obtains the power she always desired but was never afforded to her. So it’s fitting that Cersei’s POV begins with her dreaming she is seated gloriously on the Iron Throne, only to have that dream become a nightmare when Tyrion shows up. Essentially Cersei’s story is framed around her desperate paranoid struggle to keep her power by whatever means necessary, which contrasts Jaime’s first chapter (in ASOS) which begins with him longing to get back to Cersei and ends with him beginning to admire Brienne’s sense of duty.

“Come at once. Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.” – Cersei’s letter to Jaime

That’s not to say that Jaime isn’t falling out of Cersei’s favor as he changes into a different man both inside and out. But (in the books) it’s clear that Cersei manipulates Jaime and it’s unclear that Cersei ever truly loved Jaime in the first place, with her cheating on him with her cousin Lancel while he was captured, her continuing to be unfaithful to Jaime well after he had returned, and all of this seemingly without any guilt or hesitation. While Jaime boasts his lifelong faithfulness to his sister, for Cersei sex is about power, often boasting how she uses it as a tool to get what she wants, even trying to rape her informant Taena (she ends up not enjoying it because Taena is too willing for it to be rape).

Furthermore, while a young Jaime Lannister was so attached to Cersei that he joined the King’s Guard partially to stay unmarried and near her in King’s Landing, in Cersei’s POV we learn that as a girl she indeed desperately wanted to marry Rhaegar Targaryen, viewing him as superior to Jaime. Even in the current story she fantasizes about what her life would be like if she were Rhaegar’s Queen and had his children. So while Jaime falling completely out of love with Cersei and then killing her to save King’s Landing represents a shift from where Jaime began his character arc, Cersei’s relationship with Jaime doesn’t really define her.

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Cersei before Cersei

While the fandom is largely focused on history repeating itself with Jaime having a second Mad King moment, there is another historical parallel to the relationship between Jaime, Cersei and Tyrion. Cersei’s political unpopularity and her obsessive, destructive desire to for power is very reminiscent of an infamous figure from the Dance of the Dragons: Rhaenyra Targaryen, The Half-Year. Like Cersei, Rhaenyra was proud, petulant, dressed extravagantly, was famed for her beauty, and evenended up gaining a notable amount of weight. She was given the nickname ‘The Whore of Dragonstone’ and is still reviled by history for the destruction she brought upon the realm. Though she was first married to another, Rhaenyra’s lover, second husband, and father of two of her children was her infamous uncle Daemon The Rogue Prince. And though Jaime isn’t a whole lot like Daemon Targaryen, the falling out between Rhaenyra and Daemon is actually quite a bit like the falling out between Cersei and Jaime. Daemon ends up falling in love with the Dragonrider Nettles, and upon receiving a letter that Rhaenyra wanted Nettles executed, Daemon ignores the letter and abandons his niece as her cause begins to crumble. But it’s not Daemon who ends up killing Rhaenyra, but rather the Queen’s death comes when she flees the Red Keep, is betrayed at Dragonstone, and is fed to the dragon Sunfyre by Aegon II, her (now deformed) little brother and nemesis.

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Yea, it was a pretty gruesome affair.

I’m not arguing that the parallels to the Dance of the Dragons are necessarily proof of how the relationship between the Lannister siblings will play out. But it should at least serve as evidence that you can find symbolism and historical parallels that lead to all sorts of conclusions depending on which conflict you look to.

A snowflake landed on the letter. As it melted the ink began to blur. Jaime rolled the parchment up again, as tight as one hand would allow, and handed it to Peck. “No,” he said. “Put this in the fire.” – Jaime VII, AFFC

Ultimately while I see the symbolism and narrative symmetry of Jaime being the one to kill Cersei, I’m not sold on it because ultimately it’s not quite as tragic. It’s not like Jon and Yrgitte where Jon was giving up a chance at real love and happiness. In this case Jaime is actually better off without Cersei. It’s not the tragic end for two people who love each other because Jaime doesn’t really love Cersei anymore and it’s not clear that Cersei ever truly loved Jaime. If Cersei is really about to burn down King’s Landing, then Jaime’s actions in silencing her would be morally clear cut and outright heroic.

Which brings us to the case for Tyrion.

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She’s gonna need it.

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Making a Valonqar

“What do you plan to offer the dragon queen, little man?”

My hate, Tyrion wanted to say. Instead he spread his hands as far as the fetters would allow. “Whatever she would have of me. Sage counsel, savage wit, a bit of tumbling. My cock, if she desires it. My tongue, if she does not. I will lead her armies or rub her feet, as she desires. And the only reward I ask is I might be allowed to rape and kill my sister.” – Tyrion VII, ADWD

The show really obscures this by prolonging Jaime’s attachment to Cersei, while Tyrion seems to be a genuine humanitarian, but from a book perspective we don’t have to struggle to imagine Tyrion murdering his older sister. By the time we get to ADWD revenge is what fuels Tyrion. Murdering Cersei is basically Tyrion’s goal. In a sense Tyrion is already the valonqar. He is already actively plotting Cersei’s undoing. Combined with the fact that Cersei fully believes Tyrion to be the valonqar and scapegoats Tyrion for everything that goes wrong, the idea that Tyrion would end up as the valonqar feels almost too obvious. It almost seems like it would validate Cersei’s hatred.

“I have never liked you, Cersei, but you were my own sister, so I never did you harm. You’ve ended that. I will hurt you for this. I don’t know how yet, but give me time. A day will come when you think yourself safe and happy, and suddenly your joy will turn to ashes in your mouth, and you’ll know the debt is paid.” – Tyrion XII, ACOK

Except it doesn’t. It’s Cersei’s hatred which validates Tyrion as the valonquar. The reasoning I hear most often disputing Tyrion being the valonqar is that it would only prove Cersei right, and Cersei needs to be shown that she is wrong about Tyrion.

But that’s just it. Cersei isn’t completely wrong about Tyrion. Tyrion literally does want to kill her, and he is willing to reign fire and blood down on the Seven Kingdoms in order to do it. The twist isn’t that Cersei is paranoid about the wrong brother, the twist is that Cersei’s paranoia invokes Tyrion’s malice.

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Tyrion as the valonqar is the more fitting character arc for both Cersei and Tyrion, and speaks to what I believe is the central idea of A Song of Ice and Fire. Since Tyrion killed their mother in childbirth, Cersei has never stopped hating Tyrion. And when Maggy the Frog prophesized that Cersei would be killed by a little brother, Cersei assumed that it was the deformed little brother she hated. Ever since, Cersei has made an enemy of Tyrion. Cersei hates Tyrion because of what she believes he will do, and through that hatred she has inspired Tyrion’s hatred of her. In treating Tyrion like a monster, Cersei has created a monster. Cersei made her enemy.

Jaime killing Cersei gives us an idea of prophecy which is unexpected (not for the reader) but inevitable. An idea of prophecy where if a witch says a little brother will kill you, then it doesn’t matter what you say or do or who you protect yourself from; a little brother will kill you. If Jaime kills Cersei then the prophecy coming true doesn’t really matter. But Tyrion as the valonqar gives us a view of prophecy that is self fulfilling, where it’s Cersei’s actions in response to the prophecy which are her undoing.

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Yes Cersei, it’s your fault.

While Jaime killing Cersei would fill her final thoughts with confusion (but likely not regret. Cersei would never change her mind about Tyrion), Tyrion killing Cersei would fill her with a false sense of validation as she lays dying. The tragedy of Cersei Lannister would be that she never understands or accepts responsibility for the way she treats people. She thinks she was right all along to hate Tyrion, but never realizes that her own hatred is what kills her. The tragedy of Tyrion Lannister would be that in killing Cersei he becomes the monster that she always treated him as.

“There is blood between Targaryen and Lannister. Why would you support the cause of Queen Daenerys?”

“For gold and glory,: the dwarf said cheerfully. “Oh and hate. If you had ever met my sister, you would understand.” – Tyrion III, ADWD

Though Tyrion’s relationship with his family was never anything that could be considered healthy, it undergoes a major transformation culminating in the latter half of ASOS. When we first meet Tyrion he views his relationship with his family as an asset. Though he hated Cersei and she hated him, he viewed the fact that his sister was Queen as something which made him untouchable. He viewed his older brother as someone he could count on to get him out of trouble. He viewed his status as the son of Tywin as a point of pride, even viewing himself as Tywin “writ small.” As a result, during his time as Hand of the King, Tyrion did his part not only to defend the city but also to maintain the rule of House Lannister. He craved acknowledgement from his father for his role in the Battle of Blackwater Bay. Somewhat like Jon Snow, on some level Tyrion always wanted to be accepted as a Lannister of Casterly Rock and hoped that he would eventually find his place in the family legacy. To an extent, (though he did have a highly paranoid and antagonistic relationship with Cersei as Hand of the King) despite everything the family had put him through, Tyrion still defended the family.

“That night Tyion Lannister dreamed of a battle that turned the hills of Westeros red as blood. He was in the midst of it, dealing with an axe as big as he was, fighting side by side with Barristan the Bold and Bittersteel,as dragons wheeled across the sky above them. In the dream he had two heads, both noseless. His father led the army, so he slew him once again. Then he killed his brother, Jaime, hacking at his face until it was red ruin, laughing every time he struck a blow. Only when the fighting was finished did he realize that his second head was weeping.” – Tyrion II, ADWD

But Cersei’s hatred has transformed Tyrion. For all the fan expectation of Tyrion as an Other-slaying, dragon-riding savior, it’s often glossed over that the Tyrion we encounter in Dance is fueled by revenge, dreams about killing Jaime with an axe, and openly talks about wanting to rape and murder Cersei. Where the family was once a toxic group of people Tyrion endured and reaped the advantages of, he now sees the rest of his family as an obstacle that needs to be eliminated. In a sense he is becoming more like Tywin, determined to utterly destroy all of those who have insulted him. And while trying to live up to their father’s legacy is a bit of a complex for all the Lannister children, its Tyrion who most fits the bill.

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This scene plays out very differently in the books.

“I’ve got to admit I kind of like Tyrion Lannister. He’s the villain of course, but hey, there’s nothing like a good villain.” – GRRM, 1999

This quote is from 1999, so it’s not terribly recent, but not so early that it would be before Martin had a strong idea of where the story was going. While I this doesn’t imply that Tyrion is will team up with the White Walkers, I can’t emphasize enough how separate show!Tyrion is from book Tyrion. While season 5 Tyrion is too emotionally wounded to have sex with a prostitute who he charmed by complementing her intellect, book 5 Tyrion rapes a sobbing prostitute. I expect this disparity is largely a result of the showrunners wanting the mascot character to be funny and likable, but ultimately I think it distracts the fandom from what is going on with Tyrion in the books.

“What do I want, you ask? I’ll tell you what I want. I want what is mine by rights. I want Casterly Rock.” – Tyrion I, ASOS

“If it is useful occupation you require, useful occupation you shall have,” his father then said. So to mark his manhood, Tyrion was given charge of all the drains and cisterns within Casterly Rock. Perhaps he hoped I’d fall into one. But Tywin had been disappointed in that. The drains never drained half so well as when he had charge of them.” – Tyrion II, ADWD

Casterly Rock has been the object of Tyrion’s desires since the beginning of the story. Though Jaime’s ineligibility as a knight sworn to the King’s Guard entitled Tyrion to inherit his ancestral home, Tyrion now understands that his family are an obstacle to the acquisition of his birthright. There is foreshadowing that just as Lann the Clever found a secret way in and swindled Casterly Rock from the Casterlys, Tyrion may end up doing something similar to take the Rock back from his own family, as he is stated to have an intricate knowledge of the sewer systems of Casterly Rock from when he was placed in charge of them by his father. That he may make use of this knowledge when he returns to Westeros with Daenerys is actually quite likely, and would not be the first time in our story that something was taken through this strategy. If this comes to pass, will Tyrion find his childhood home empty, or will he come face to face with his wicked sister one last time?

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A Game of Guesses

Eddard Stark
art by TheMico

“It’s never the person who you most suspect. It’s also never the person you least suspect, since anyone with half a brain would suspect them the most. Therefore, I know the killer to be Phyllis… The person who I most medium suspect.” – Dwight K. Schrute

It can of course be argued that the prophecy doesn’t have to come true. Cersei could be killed by someone who is not a little brother. Or that the word ‘valonqar’ could be genderless. Or that it could be a little brother, but not Cersei’s little brother. It could be Aegon, or Bran, or the Hound, or Jon, or Tommen, or Euron, or even Loras. So long as it’s a little brother who kills her, the prophecy is fulfilled right?

But what would be the point of Martin that? Misdirection? Proof that the author knew where the story was headed? Evidence that the future is already written? What was the point of giving us the valonqar prophecy if the little brother ends up being Aegon? Or if it ends up being Tommen? Or even if it ends up being Jaime? If GRRM throws us a curveball and has Cersei killed by a little brother she never suspected, then how does the prophecy amount to anything more than a guessing game Martin set up himself?

“Prophecies are, you know, a double edge sword. You have to handle them very carefully; I mean, they can add depth and interest to a book, but you don’t want to be too literal or too easy… In the Wars of the Roses, that you mentioned, there was one Lord who had been prophesied he would die beneath the walls of a certain castle and he was superstitious at that sort of walls, so he never came anyway near that castle. He stayed thousands of leagues away from that particular castle because of the prophecy. However, he was killed in the first battle of St. Paul de Vence and when they found him dead he was outside of an inn whose sign was the picture of that castle! [Laughs] So you know? That’s the way prophecies come true in unexpected ways. The more you try to avoid them, the more you are making them true, and I make a little fun with that.” – GRRM

Thus far in asoiaf, Martin uses prophecy in a couple of different ways (which are not necessarily mutually exclusive). Prophecy can influence or manipulate the characters receiving the prophecy, or it can serve as a clue to the reader about events in the story.

“The old gods stir and will not let me sleep. I dreamt I saw a shadow with a burning heart butchering a golden stag, aye. I dreamt of a man without a face, waiting on a bridge that swayed and swung. On his shoulder perched a drowned crow with seaweed hanging from his wings. I dreamt of a roaring river and a woman that was a fish. Dead she drifted, with red tears on her cheeks, but when her eyes did open, oh, I woke from terror. All this I dreamt, and more.” – Arya IV, ASOS

Typically when prophecy is acting as a clue for the reader, Martin gives us a puzzle that we can potentially decipher. For example when the Ghost of High Heart recites her dreams to the Brotherhood, or in the House of the Undying when Daenerys receives several prophecies about events which may come to pass. It’s important to note that those prophecies are never literal, but rather figurative. They serve as a riddle which the reader must seek out an answer to. This is why often times these dreams or visions show us events which have already come to pass alongside events that are yet to come. It’s about using events which the reader knows to establish a legend for how the prophecy is to be read. In these prophecies characters are usually presented using symbols based on house or artifacts of personal relevence. For example a cloth dragon is Aegon. A seaweed covered drowned crow is Euron. A dead woman who was a fish is Lady Stoneheart. A blue winter rose growing from a wall of ice is Jon Snow. A maid at a feast with purple serpents in her hair is Sansa. And the savage giant could be an Umber, or it could be Littlefinger.

The point is most prophecies are meant to serve as puzzles for the reader, and thus are non-literal. Though Arya hears about a seaweed covered drowned crow in her POV, that prophecy doesn’t actually have anything to do with Arya or anything that Arya is directly involved in. Instead it’s intended for the reader to be clued in on something which is coming later in the story.

But in every case these kinds of prophecies contain actual clues. Yes the symbols can have various interpretations, but the interpretations aren’t so numerous that it’s random. So in hindsight the reader can see how the clues to solve the riddle were right there in the prophecy.

The old woman was not done with her, however. “Gold shall be their crowns and gold their shrouds,” she said. “And when your tears have drowned you, the valonqar shall wrap his hands about your pale white throat and choke the life from you.” – Cersei VIII, AFFC

The valonqar prophecy is different. We don’t see the valonqar prophecy as a dream or a vision which is open to interpretation, (save for any trick in the use of high Valyrian) Cersei has the valonqar prophecy told to her in very clear terms. She is told she will be Queen. She is told she will lose everything to someone younger and more beautiful. She is told she will have 3 children. She is told her children will die. She is told that a little brother will strangle her to death. It’s important how direct this prophecy is because it’s not actually a puzzle and doesn’t really give the reader clues which need to be deciphered.

Martin tells us that Cersei is supposed to be killed by a little brother, and while there are technically multiple little brothers who could end up killing her, the prophecy doesn’t give us any more specific clues as to who it would be. It’s about as much of a puzzle as if I were to ask you to guess the number I’m thinking of between 1 and 20. Due to the feudal emphasis on producing multiple backup heirs, our story is filled with little brothers. In fact nearly all of our male POVs are younger brothers. Ned, Tyrion, Jaime, Jon, Bran, Theon, Quentyn, Aeron, Victarion, Arys, Areo…. then there is Benjen, Stannis, Euron, Aegon(?), Aemon, Loras, Garlan, Rickon, Sandor, Edmure, Trystane, Tommen, Kevan, Jojen, Bloodraven, probably most of the Others, Blackfish, Edric Storm, Osfryd, Osney Kettleblack, and Moonboy for all we know… “little brother” isn’t remotely specific, and to add to that Cersei makes enemies of almost everyone. It’s not really a riddle, and it doesn’t act as a riddle for Cersei either. Cersei never second guesses her first conclusion. The power of the Valonquar prophecy lies not in any puzzle it creates for the reader, but rather in the psychological effect that it has on Cersei.

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The Gift of the Maggy

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Since the beginning, Maggy the Frog’s prophecies have been manipulative and self-fulfilling. Just like Mirri Maz Duur, the other prominent maegi in our story, Maggy the Frog works through a mixture of blood magic and trickery. When Cersei’s companion Melara asks if she will marry Jaime, she is told that she will die that very day and that her death is so near she should be able to feel it’s breath. Sure enough that same day Cersei kills Melara by throwing her down a well. The catch here is that Cersei killed Melara specifically to prevent her from ever speaking the prophecy. It was the act of hearing Maggy’s prophecy which caused it to come true. But Maggy didn’t create hatred or the capacity to murder where It wasn’t already there. She didn’t force Cersei to be hateful, or envious, or vain. Maggy only manipulated those toxic self-destructive qualities where they already existed. With a few words Maggy the Frog was able to turn a spoiled girl’s hatred into fear. That’s not to say that Maggy necessarily doesn’t see the future, or that she doesn’t have some kind of magical power, but that the prophecy is deviously manipulative.

For example, take the part of the prophecy about the younger more beautiful queen:

“Aye Malice gleamed in Maggy’s yellow eyes. “Queen you shall be… until there comes another, younger and more beautiful to cast you down and take all that you hold dear.” – Cersei VII, AFFC

This part of the prophecy is particularly noteworthy because it’s practically an inevitability. Not everyone is strangled by a younger brother, but everyone gets old, all beauty fades, and all Queens are eventually replaced. Due to the significance placed by feudalism on child bearing years, this replacement is almost always younger, and being younger is typically associated with beauty. So it’s not exactly an impressive prediction. Predicting a queen will be replaced by someone younger and more beautiful is like predicting that winter will turn to spring. It’s just the circle of life.

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Note: this is not a healthy way to deal with the circle of life.

It has also been argued that this segment refers to Brienne and her inner beauty, which isn’t an invalid prediction at all but only speaks to just how vague and open to interpretation the prophecy can be.

But what is most significant about this portion of Maggy’s prophecy is how it warps Cersei by manipulating her own narcissism and jealousy. Maggy has diabolically taken the basic structural reality that Cersei would eventually need to be replaced, and framed her inevitable replacement as a usurper. As an enemy come to destroy her. So in her unwillingness to accept the end of her reign, Cersei tries to use the faith militant on Margary Tyrell, which only has the effect of worsening her situation. It almost doesn’t matter who the more beautiful Queen is because whether Sansa, Margaery, Arianne, or Daenerys, it has to be someone, Cersei is paranoid about every potential replacement, and her paranoia is what leads her to ruin.

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Game, set, match… point. Maggy. Game over. End of game.

“He is in the walls. He killed Father as he killed Mother, as he killed Joff. The dwarf would come for her as well, the queen knew, just as the old woman had promised her in the dimness of that tent. I laughed in her face, but she had powers. I saw my future in a drop of blood. My doom. Her legs were weak as water. Ser Boros tried to take her by the arm, but the queen recoiled from his touch. For all she knew he might be one of Tyrion’s creatures. “Get away from me,” she said. “Get away!” She staggered to a settle.” – Cersei I, AFFC

Hence why I believe that the valonqar is in fact Tyrion Lannister. Neither Jaime nor Tyrion would actually be unexpected to the reader, but the whole prophecy mainly just exists in Cersei’s mind, and in her mind it has little to do with her relationship with Jaime but everything to do with her relationship to Tyrion. In her utter determination to hold onto power Cersei Lannister’s narcissism and paranoia has created an enemy of anyone and everyone she comes across. As much as I love the character of show!Cersei (and I do love show Cersei, I think he’s by far the best written character on the show), it’s important to recognize how much more evil and selfish she is in the books. It’s clear from reading her POVs that she doesn’t genuinely love anyone, and views everyone around her as either a threat to her status or an object to be used to maintain or elevate her status. Her affection for people like Jaime, Joffrey, Myrcella and Tommen really only exist insofar as these people serve as reflections of herself, and we have seen with Jaime that this affection can fade if they cease serving as reflections of herself.

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Well what are you gonna do? Haters gonna hate.

Given her relentless addiction to power and her complete lack of love or empathy, it will be no surprise when someone finally puts an end to Cersei Lannister. But among all of Cersei’s failed and broken relationships, and among all of her well-deserved enemies, Tyrion stands alone. It’s her deep unbridled hatred and paranoia of Tyrion which has been the most obsessive, the most enduring, and the most destructive; for Cersei, for House Lannister, and for the Seven Kingdoms.

 

“I choose violence”

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Well Cersei, maybe you should stop doing that.

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In Review:

  1. The bond between Jaime and Cersei has already fallen apart.
  2. Killing a Mad King/Queen to stop them from burning innocent people is a moral act, but it’s more likely that the strangling of Cersei will be personal.
  3. The loss of Jaime’s hand also represents the severing of his connection to Cersei. Getting Cersei out of his head is central to Jaime’s arc, and killong Cersei is not the best way for him to do that.
  4. Cersei is a complete narcissist who doesn’t really love Jaime. Her arc is framed around the desperate struggle to keep power, and moving away from Jaime isn’t central to her arc at all.
  5. The falling out between Cersei and Jaime Lannister mirrors the falling out between Quen Rhaenyra and Daemon the Rogue Prince.
  6. Cersei’s lifelong hatred of Tyrion has changed him from a misanthropic imp to a revenge fueled monster bent on her destruction.
  7. While most prophecies in ASOIAF are riddles which use symbols that the reader must decipher, the valonqar prophecy is extremely straightforward and thus wreaks utter havoc on Cersei’s psyche.
  8. Maggy the Frog used prophecy to manipulate an arrogant, selfish, and jealous Cersei Lannister into destroying her own life by antagonizing the people around her, first and foremost her hated little brother Tyrion; the valonqar.

S6Ep6: Blood of my Blood, Man in my Mirror

The Blood of my Blood is Myself

The core theme of ‘Blood of My Blood’, and perhaps even all of season 6, is reflection on identity. In this particular episode it’s the question of who a person is within the context of family and dynasty. Tommen is manipulated to fall in line with the Faith by his wife Margaery. Daenerys is nudged toward embracing her heritage as a Targaryen conqueror by Daario Naharis. Sam torn down by his lord father, and built back up again by Gilly. Bran is told of his destiny as the Three Eyed Raven by his reanimated uncle UnBenjen. Jaime is relieved of his position as Lord Commander of the Kingsguard by his king nephew-son, and then called to take up his place as head of House Lannister by his sister-lover. And “Mercy” is inadvertently brought back to her identity as Arya of House Stark by the charismatic actress Lady Crane.

Tommen and Margaery:

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Margaery looks very in control right here…

Margaery really spells out the theme of this episode when she speaks with Tommen about how the High Sparrow isn’t really who she and Tommen took him for, and then reflects on who she has been and who she has appeared to be. “I’ve had lots of time to think about how good I was at seeming good.” Now part of me wonders how genuine Margaery is in all of this, seeing as her “genuine” discovery of piety has really just put her right back to where she wants to be by using her manipulation to bring Tommen into the fold.

But this theme of characters being reminded who they were born to be is played out throughout the entire episode:

Dany and Daario:

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#BloodOfMyHYPE

Daenerys is told by Daario that she was meant to be a conqueror rather than a conciliator, and she then mounts Drogon and reclaims her former identity as the fearsome Mother of Dragons. This seems pretty true to her book storyline, and the event actually feels pretty believable. Surprisingly, I actually enjoyed this scene quite a bit. The CGI on her riding Drogon was better than it was last time Dany rode him, and the Dothraki extras did a very good job at portraying hype.

Jaime and Cersei:

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“Stand at the head of our army where you belong, where Father wanted you. Show our men where their loyalties belong. Show them what Lannisters are, what we do to our enemies. And take that stupid little castle back, because it’s ours and because you can.” – Cersei

Jaime is stripped from his position as Lord Commander of the Kingsguard by his own son, and is encourage by Cersei to claim the position he was born into, as the head of House Lannister. This even comes with the same creepy “twincest against the world” attitude that Jaime and Cersei displayed at the beginning. This definitely seems like a divergence from Jaime’s book plotline, but it’s one that works so far for this world. There is a certain chivalry to Jaime’s actions, sticking by the show’s less evil portrayal of Cersei, and doing his best to take care of his last living child rather.

Sam and Gilly:

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“You’re not what he thinks you are Sam. He doesn’t know what you are.” – Gilly

Samwell comes back home to be berated by his father just as he always was for his softer more scholarly disposition, and for bringing what is secretly a wildling back to Horn Hill. Gilly stands up for Sam, and despite looking completely ridiculous dressed up like a southern lady, keeps a certain pride in who she is and reminds Sam to do the same. It’s perhaps Gilly’s reminder that makes Sam unable to leave her at Horn Hill, and brings him to continue to break his vows by taking what is essentially a wife, fathering a son, and even taking the Tarly family sword.

Bran and Benjen:

Bran is rescued by his uncle Benjen, who is now a wight. Uncle UnBenjen has apparently been “sent for by the Three Eyed Raven,” though it’s unclear which Three Eyed Raven sent for him. Was it Max Von Sydow, or was it Bran? This turn of events is interesting because it implies that in the show and the books, Bran will have the power to animate reanimate the dead.

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“A fearless boy. Loved to climb the castle walls, frighten his mother […] You are the Three Eyed Raven now…. so drink this rabbit blood so you can face off against Frosty Darth Maul.” – Uncle UnBenjen
So “ColdBenjen” reaffirms to Bran and Meera that Bran has become the Three Eyed Raven, and that it is his destiny to face the Night King and the army of the dead when they reach the world of men. Bran is himself, but he is also not himself. He has also merged with something that is beyond human and beyond himself.

SIDE NOTE: Benjen is a reanimate corpse. Just look at his face. He died.  The Children did not use the dragonglass to save Benjen’s life, they used it to cancel out the White Walker’s magic and prevent him from turning into a wight. In fact, I find it very unlikely that Brother-uncle Benjen has been casually walking around north of the Wall for 5 years, and more likely that he simply rises from the dead when he is needed. Apparently, Benjen is “show!Coldhands”, but [according to Martin] Benjen is not book!Coldhands. It still leaves the question whether this will be the destiny of Benjen in the books, or if they have something else planned. With Benjen being such a mystery, it seems like it would be a big change for the show. But at the same time, it also seems a bit redundant for Benjen to become Coldhands #2 in the books. We’ll have to wait and see.

 

Faceless Man in the Mirror

Something I have been noticing this season is how the show uses cinematography to connect scenes to one another on a thematic level, from episode to episode and this season to previous seasons. For example, Bran (who is now the rightful Lord of Winterfell), is depicted standing where his lord father stood in the scene he is introduced. Young Ned Training Benjen is shot to reflect Jon training Olly. The S6Ep2 ending shot of Jon’s resurrection was originally story boarded to mirror the S2Ep2 ending shot of Bran’s waking up, but it was later changed to match the S6Ep5 closing shot of Wyllis becoming Hodor. Another example would be the way Arya’s training montage was set up to reflect the injuries taken by people close to her. Or how Melisandre washing Jon’s body before resurrection was a direct call back to how the Faceless Men wash bodies before they have their faces removed so that their identities can be worn by someone else.

In this episode we get perhaps the clearest example of this visual symmetry yet, when Arya is having second thoughts about poisoning Lady Crane, and a girl looks into the mirror.

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“What’s your name?… Do you like pretending to be other people?” – Lady Crane, asking all the right questions.

In this shot, having viewed a play to remind herself of who she is and where she comes from, Arya must look at her own face in the mirror as she decides whether she can forsake her own personal code of justice and kill an actress purely in service of the Many-Faced God. The focus shifts from Arya’s face in the mirror to the rum, as she decides between being true to herself or doing what has been asked of her. After this Arya speaks to Lady Crane, and her conversation with Lady Crane causes her to further empathize with the talented stranger, and not to take her life.

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“Be careful of that one” – Mercy

This shot is even repeated when the actress who plays Sansa looks at herself in the same mirror, indicating her envy of Lady Crane, and her involvement in the plot to poison her.

This mirror gazing moment of self reflection is a direct call back to the ending shot of ‘The Red Woman.’

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In this shot, Melisandre has failed Stannis Baratheon, and has found herself in a crisis of faith. She finds herself doubting that her Lord of Light has a purpose for her, or whether she is even capable of fulfilling that purpose. At her lowest point Melisandre looks at the woman in the mirror to take stock of who she really is, and takes off her glamour to reveal the feeble old woman that lies underneath the facade of the seductive “Red Woman.”

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The parallel between these two scenes is no accident, and it’s likely not just a stylistic choice since the two episodes have different directors. But in both shots there is a vial on the table which is focused on, the same basic composition, and even the score is exactly the same.

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In anycase, Arya’s self reflection leads to her sword in the stone moment, where Needle is salvaged, and with it her sense of self.

The last thing I would point out is that the scene between Jaqen and the Waif is pretty interesting. Though the Waif is given permission to kill Arya, is seems that the Waif too is unable to let go of her sense of self. Maybe not her name, but her disdain for Arya seems to be deeply personal and perhaps based on being from a much lower social class. In her conversation with Jaqen the Waif tells him “you promised me,” hence referring to herself as “me,” rather than “a girl,” indicating that the Waif too isn’t truly no one.

From this I get the sense that Jaqen doesn’t really care much if Arya or the Waif dies, as he sees both as tools to serve an agenda or further an ideology. I don’t think there is any chance Jaqen is coming after Arya.

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“A shame. A girl had many gifts.” – a man

Perhaps the next time he see Jaqen, he may well be wearing the face he was removing from a corpse… perhaps in Oldtown.

Killerbowl = Fucking Confirmed.

Get Hype.

 

 

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“A shame, a girl had many gifs”

S6Ep5: The Door to Infinite Sadness

What an episode huh? For an episode that casually dropped such a huge answer, it left us with far more n the way of questions. As it seems, the Children of the Forest created the Others out of men, as a last ditch effort to combat annihilation at the hands of men. This will likely be the same relationship in the books, and it’s one that throws into question a lot of what we know about the the ancient history of Westeros.

But it’s also a relationship Martin has written before.

 

[Spoilers for Tuf Voyaging by GRRM]

 

The Guardian Connection

In Martin’s short story from Tuf Voyaging titled Guardians, the space trader Haviland Tuf comes to the planet Namor, who’s inhabitants are being plagued by killer sea monsters who are terraforming the planet. Tuf offers his services to the so called ‘Guardians’ of this world, who are at a loss for how to deal with the threat. Being ecological engineer, Tuf wants to fully understand why the sea monsters have suddenly appeared and started attacking, but is pushed by the Guardians to go to war prematurely, so he wages bio-war on the leviathans, engineering his own creatures specifically to counteract the sea monsters.

This strategy works for a bit, but then the sea monsters gain a resistance.

In the end, it turns out that the reason these sea monsters have suddenly appeared and begun terrorizing the planet is that the population had been eating a race of sea clam called the mudpots. Though seemingly benign, the mudpots are actually telepathic hive minded bottom dwellers who biologically engineer sea monsters to eliminate predators. As it turns out, it’s the mudpots are the titular Guardians of the planet Namor. Only by engineering a psychic kitten named Dax (no I’m not kidding), is Tuf able to communicate with the mudpots, and thus a truce is brokered between the mudpots and the humans, putting an end to Namor’s sea monster apocalypse.

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psychic cats are a thing.

Now our story has taken a slightly different route, but the same concepts are still at play. Mankind is still preparing to go to war against an what appears to be certain doom before truly understanding why the enemy is doing what they are doing… and after thousands of years, why now? In Tuf voyaging, and I suspect ASOIAF, mankind is being killed by their lack of understanding, not their lack of preparedness to kill.

In ASOIAF the Others have turned against their creators. Exactly when and why this turn occurred is unknown, but it’s definitely one of the big mysteries that remain in the series. The other major difference is that the Others have seemingly been dormant for thousands of years. On a practical level, the Others could build their army of the dead out of wildlings in a matter of days, particularly considering how insanely effective their recruitment methods are. So we have to wonder what it is which provoked the Others seemingly within a generation of the events of our story.

Though I think I have a pretty good answer for this in Mirror Mirror Beyond the Wall, I should add that Bran must be considered as a key suspect now. The show has not backed away from the introduction of time travel and the subsequent time paradoxes it creates, and it’s unlikely to be a coincidence that the Three Eyed Raven awaited Bran so very long only to have his chosen one arrive just in time for the war to come. Given that the story is filled with suspicious and seemingly self-fulfilling prophecies, it’s worth considering whether Bran may be the lynchpin of a great self-fulfilling conflict. The root of a time paradox that history has been hurdling towards for ages.

For many this idea may seem convoluted, but a time paradox is an interesting commentary on the self-fulfilling nature of war. Essentially: Our enemies are preparing for the war to come, because we are preparing for the war to come that our enemies are preparing for.

 

 

The Bad Wolf is a Time Traveling Body Snatcher

Bran’s powers only ever escalate.

He has appeared 3 times this season. The first had him watching the past, the second had him communicating with the past, the third had him mentally breaking Wyllis in the past by seizing his body in the future, from the past.

Let’s go over what happened in the show, because it’s a doozy.

In the show, Bran’s mind exists in at least two separate points in time and space. His mind is decades in the past watching his father leave home, and also in the cave of the 3 Eyed Raven at the time of the White Walker attack (we know this because he can hear Meera while he watches Winterfell). This makes it complicated to determine exactly when Bran did what, because Bran’s mind is simultaneously in more than one point in space-time. Even cinematic indicators are a bit unreliable, as Bran is inside Hodor’s mind in the present, while watching Wyllis’ breakdown in the past.

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This means that the question of “when” is transcended completely. Bran telepathically subjugates Hodor from the moment he is broken till his death.

 

Martin has also written a story about time travel possession. It’s called Under Siege.

 

 [Spoiler Warning for Under Siege]

Under Siege is a story about a dwarf living in a horrible society, who’s mind is sent back to the past to prevent that society from ever coming into existence (NOTE:  in this story characters actually can change the present by changing the past). Yet the protagonist has anxiety about deleting his own existence, and so he combines his consciousness with someone else’ in the past (basically skinchanging), changes time, and remains combined with his host forever.

There are several connections in ‘Under Siege’ to what just happened in ‘The Door’:

  1. Bran’s mind goes back in time.
  2. Wyllis is broken in the past by Bran
  3. What Bran does from the past effects the present, but also permanently transforms the past.
  4. Bran can likely skinchange people in the past. (the horror of human skinchanging was foreshadowed in the Varamyr chapter.)

 

But has Bran learned his lesson and decided to never warg again? Is Bran going to never touch the past again or warg a person ever again, and spend the rest of his life only using his powers to listen in on important which he can pass on to the able bodied?

Maybe. But probably not. Time travel has been introduced. Time loops are part of this now.

“It is beautiful beneath the sea. But if you stay too long you’ll drown.”

– The Three Eyed Raven

The Three Eyed Raven, Jojen and Meera have all warned Bran about losing himself in another time, place, and identity, and that Chekhov’s gun hasn’t quite gone off yet. Many thought the Night King vision was the culmination of that, but gladly it turned out not to be something so conceptually shallow. I think (but really I hope) that human skinchanging and time travel are only just beginning to be explored.

The concepts are loaded, and allow Martin to explore more of Bran’s inner feelings of inadequacy through escapism, while also exploring the complex and often abusive relationship between the ruling class and the ruled, and the soldier and the general. And beyond that time travel explores the paradoxically self fulfilling nature of war and propaganda.

 

Bran Ex Machina

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In the next episode, it’s likely that we will encounter the mysterious wight slaying horseman from the trailer. Before the season began I actually suspected this would be Hodor, but that’s clearly incorrect. The two current competing theories on this rider are that it will be Coldhands or Benjen. Right now I’m on team Benjen, simply because the Coldhands of the books is very likely being animated by Bloodraven, and the Raven is now dead.

So if it were Coldhands, it would have to be a version of Coldhands animated by Bran.

But if it is Benjen, where has he been all this time? Has he really been hanging out for 5 years in the haunted forest just to pop back up again at just the right moment to save Bran? This seems kind of implausible. Whether the savior horseman in the show is Coldhands, or whether it’s Benjen, or whether it’s both, we may actually be looking at Bran’s second attempt. Just as Bran went into the past and telepathically subjugated and broke Hodor so he would be forced to save Bran and Meera at the exact moment he was needed years later, I suspect that Benjen may be the same way (though perhaps slightly less broken).

We can see that while Meera tries her best to escape with Bran, Bran’s mind is still time traveling and watching the past, while listening to Meera’s distress in the present. So we now have a week to figure out which is the more likely scenario: A rider with the skills to kill wights just so happened to be out there and will just so happen upon Bran and Meera? or that the time traveling Bran, knowing where and when he needs to be saved has set up a rider to arrive at the exact moment he would need it…

Given that time travel and human skin changing is now a potential in Bran’s story, there are some pretty major implications, and it’s worth taking into consideration that Martin is a huge fan of Heinlein and is on record as stating that ‘All You Zombies’ is what he considers to be the last word on time travel paradox. I haven’t read the story, but I’m a huge fan of the movie, so I was happy to hear Martin share the appreciation of this paradoxical story. If you want your mind blown, read the story, or even just read a summary.

“A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.” – (Bran, ADWD)

Bran cannot change what has already happened, but moving forward we have to wonder, how much of what has already happened has Bran caused?

“You could have been a knight too, I bet,” Bran told him. “If the gods hadn’t taken your wits, you would have been a great knight.” (Clash of Kings, Bran II)

In a scene from ‘The Door’, the Red Priestess Kinvara speaks to Varys about predestination, and how everyone is where they are for a reason, and then taunts him with the idea knowledge of the voice that spoke from the flames on the day he was castrated. She asks him if he would like to know what the voice said, or the name of the one who spoke. And in the original leaked audition, she even asks if he’d like to know where it lives.

Then the scene cuts to Bran.

“Now I am become Time who bringeth all to doom, the destroyer time come hither to consume”

– The Bhagavad Gita

The Three Eyed Raven claims to have waited for Bran for a thousand years. Jojen has called Bran “the only thing that matters.” We watched Hodor being broken for 55 episodes before realizing that Bran had done it all along. What else will we find out that Bran has done?  Did Bran shape Benjen’s disappearance? Is Bran the Lord of Light? Who else will Bran become?

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Two episodes this season have ended on the same composition (notice the matching cuts)…. It’s beautiful beneath the sea huh?

 


We’ll just have to see where this goes, when it goes there…

S6Ep3: Hit ’em where it hurts

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The Waif isn’t your average bully.
  1. Credit for this find goes to reddit user Aludiana. I just added the Hound and made the gif.
  2. I realize this could be nothing. It could also be something. Directors use images to foreshadow and reference like writers use phrasing.
  3. Leg injuries are not fatal. #hope #Rickoning
  4. Technically which she counts Jon among her brothers her hand gets smacked, and Jon’s hand is burned. That said it’s the wrong hand.
  5. Episode 7 is going to be titled ‘The Broken Man.’

 

So let’s all get hype for Trial by Dog Fighting.

S6Ep3: A Time for Time Traveling Wolves

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“Why did you do that?! Take me back there I want to go back!”

– Bran + millions of other people

This appears to be the general sentiment everyone is carrying forwards from S3Ep6 ‘Oathbreaker.’ Since last week, fans have been hyped to see the Tower of Joy fight, and even more hyped to finally get confirmation on that burning question.

Does R+L=J???

To be fair there’s a little more people want to know. Who else was there? What was the promise? Does Jon have a Targaryen name? could Jon have a sister there too?

But the most interesting thing for me about the Tower of Joy scene, is how the  contents of the tower are working as a misdirection from the even more significant information floating around it. Some answers we were given, and some we were pulled away from. Yes that Three Eyed Raven pulled us away, but I think he pulled us away from something far bigger than R+L=J.

SPOILER ALERT: this will include information about upcoming episodes from trailers and promotional material.


 

 

1. The Three Eyed Raven on the show is NOT  Brynden Rivers

“You think I wanted to sit here for a thousand years watching the world from a distance? as the roots grew through me?” – The Three Eyed Raven

We now have a pretty good idea that the show version of the Three Eyed Raven is not actually Brynden Rivers. Now this goes beyond physical discrepancies (for which there are a dozen reasons). Many people are still under the impression that he is, and that his remark about being 1000 years old is just hyperbole, or a reference to witnessing 1000 years of history. But this would be horrendous writing.

Though GRRM may use “1000 years ago” as a way of stating “that was forever ago,” there is a big difference between internal monologues in the books talking about spans of time we all know , and dialogue from an ancient tree wizard which genuinely suggests that the Three Eyed Raven is 1000 years old.

Bear in mind that anyone who only watches the show will have no idea who Brynden Rivers is, nor any reason to believe the Three Eyed Raven isn’t over a thousand years old. To say that he has been there for a thousand years when it was really closer to fifty would be needlessly misleading information about a character whom we’ve gotten absolutely no hint in the show is a Targaryen bastard Hand of the King from the time of the Blackfyre rebellions.

As someone who writes this blog largely focused on Bloodraven’s actions, I think this is a very good move.

Bloodraven is an very compelling figure. Much like Tyrion, he was an abnormal looking Hand of the King who was disfigured fighting off rebellions till eventually being stripped of his position. Like Jon, hee was an acknowledged bastard who became Lord Commander of the Night’s Watch (also resulting of a union of Valyrian and First Men blood). Like Jaime he was in love with his sister. And like Bran he has the power of greensight.

But Brynden River’s role as a central political figure during the Blackfyre Rebellions is one the show hasn’t set up, and with the removal of Aegon, the Blakfyres, and the Golden Company, the show has no reason to put forth the time to. The Three Eyed Crow being Brynden River’s wouldn’t matter to show watchers because they have no idea who that is, nor do they know anything about the period of time which defined him. The old rivalry with Bittersteel doesn’t actually matter if there’s no trace of Bittersteel.

 

2. The Three Eyed Raven and The Night’s King are Arch Enemies

I must admit, I was a little prepared for this revalation that the Three Eyed Raven was not Brynden Rivers. The 3 Eyed Raven being some other character who is legitimately 1000 years old fits perfectly with what the actor who plays Bran has said in recent interviews:

“I think there’s some interesting to come in the coming season which will reveal exactly what the relationship between those two mystical characters — the Three-Eyed Raven and the Night’s King — is. That’s something that’ll be cool.” – (Isaac Hempstead Wright, IGN)

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Max von Sydow is basically a lifeguard for astral projection.
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Night’s King v. Three Eyed Raven: Dawn of Winter

Based on the trailers, both the Night’s King and the Three Eyed Raven appear to be able to see and take hold of Bran’s spirit when he astral projects or has his visions. And given that the Night’s King will invade the cave of the Three Eyed Raven later this season, they both seem to be locked in conflict with one another.

It seems the show is going to play the show!Three Eyed Raven against the show!Night’s King, likely as arch enemies who come from the same age (1000+ years ago). For all we know the Three Eyed Raven in the show will be an ancient Stark, or a King Beyond the Wall, or even a variation of the Last Hero (or he’ll be none of those things). But since we have received no indication from Martin or the books that the Night’s King is still around in the present timeline, it seems that he too will be show only.

” As for the Night’s King (the form I prefer), in the books he is a legendary figure, akin to Lann the Clever and Brandon the Builder, and no more likely to have survived to the present day than they have.” – GRRM

Hence all things point to the show version of the Three Eyed Raven’s rivalry with Bittersteel, to be replaced with a rivalry with the Night’s King.

 

3. The Three Eyed Raven has been waiting for Bran Stark for 1000 years, but NOT as a replacement.

3ER: I was waiting for you.
Bran: I don’t want to be you.
3ER: (laughs) I don’t blame you. You won’t be here forever. You won’t be an old man in a tree.

This is kind of a big deal. The show is starting to portray the central struggle of Bran’s arc

“Why do I want to return? so I can be a cripple again? so I can talk to an old man, in a tree?!”

Yet in people’s excitement to see what’s in the tower, everyone seems to be missing the enormous clues being dropped about Bran. That in the conflict between the Others and the Three Eyed Raven, Bran is not only central, but he is so central that he has been awaited for 1000+ years.

There are major implications there.

If the Three Eyed Raven has been waiting for Bran for that long, then what are the chances that the Others really the instigators of this conflict? What are the chances that the time which Bran was born and made his way north of the Wall just so happens to be around the time that the others started to reemerge?

“Now he’s realized he’s been having his dreams because he’s got to save Westeros.” – Isaac Hempstead Wright

Furthermore, not only did last week’s episode cast serious doubt on fan theories that Bran would be stuck under the tree forever (not this could be a place where book and show canon diverge, but that’s a pretty major divergence), but this week reiterated that, while also casting further doubt on theories that Bran would be some old man in a different tree. Now the Raven could be lying, but it’s becoming more and more apparent that Bran’s destiny is a lot bigger than the fandom at large had previously thought.

 

4. Bran can time travel, and we all have to stop pretending he can’t.

timevortex
“Now he’s starting to make use of the visions and staring to discover he can interact with the past – he’s like Doctor Who. It’s Doctor Bran” – Isaac Hempstead-Wright

Now he’s starting to make use of the visions and starting to discover he can interact with the past — he’s like Doctor Who. It’s Doctor Bran!

Yes, it seems Bran is genuinely capable of X Men Days of Future past style time travel. This isn’t something new. Not only is there good reason to believe Bran may have time traveled in ACOK, but Bran goes into the past and contacts Ned in his last ADWD chapter:


“Winterfell,” Bran whispered.

His father looked up. “Who’s there?” he asked, turning … … and Bran, frightened, pulled away. His father and the black pool and the godswood faded and were gone and he was back in the cavern, the pale thick roots of his weirwood throne cradling his limbs as a mother does a child. A torch flared to life before him.
“Tell us what you saw.” From far away Leaf looked almost a girl, no older than Bran or one of his sisters, but close at hand she seemed far older. She claimed to have seen two hundred years. Bran’s throat was very dry. He swallowed. “Winterfell. I was back in Winterfell. I saw my father. He’s not dead, he’s not, I saw him, he’s back at Winterfell, he’s still alive.”
“No,” said Leaf. “He is gone, boy. Do not seek to call him back from death.”

[…]

 

“But,” said Bran, “he heard me.”

“He heard a whisper on the wind, a rustling amongst the leaves. You cannot speak to him, try as you might.” – Bran III, ADWD


 

In Dance, the Last Greenseer also shrugs off what Bran did as nothing significant, and so given how much of a game changer it is, fans have largely ruled out time travel as a part of the story.

heheardme
Doctor Bran is not a happy camper.

But given that the show has decided to work Bran’s ability to contact the past into a totally separate scene, I think we need to consider that this might be a very important part of the story. After all, why would the showrunners have included Bran’s time travel in their abridged story if time travel wasn’t relevant to the story moving forward?

So what does this mean?

Well, given how the Tower of Joy casting call asked for an infant, we can pretty safely assume that Bran is going to eventually see what is up in the tower and witness Ned’s promise to Lyanna.

Though, Bran might do a little more than bear witness….

“He could hear her still at times. Promise me, she had cried, in a room that smelled of blood and roses. Promise me, Ned. The fever had taken her strength and her voice had been faint as a whisper, but when he gave her his word, the fear had gone out of his sister’s eyes. Ned remembered the way she had smiled then, how tightly her fingers had clutched his as she gave up her hold on life, the rose petals spilling from her palm, dead and black. After that he remembered nothing. They had found him still holding her body, silent with grief. The little crannogman, Howland Reed, had taken her hand from his. Ned could recall none of it. “I bring her flowers when I can,” he said. “Lyanna was … fond of flowers.” – (Eddard I, AGOT)

The very first time Ned talks about Lyanna and the events of the Tower of Joy, Ned’s description indicates that he has a lapse in memory at the time of Lyanna’s death. At this point it’s so early in the story that we think nothing of it, but as the story progresses there are various instances of characters blacking out at important moments. Jon Snow blacks out before he finds Othor reanimated and trying to kill Lord Comander Mormont, Catelyn blacks out staring at the moon and listening to a singer just before she frees Jaime Lannister, Daenerys blacks out before she steals the Unsullied torches Astapor, and Samwell Tarley blacks during the mutiny at Craster’s keep and wakes up to hear Jeor’s final command.

“He twisted free of the old man’s grasp, shoved the knife into Mormont’s belly, and yanked it out again, all red. And then the world went mad.

Later, much later, Sam found himself sitting cross-legged on the floor, with Mormont’s head in his lap. He did not remember how they’d gotten there, or much of anything else that had happened after the Old Bear was stabbed.” – Samwell II, ASOS

Though many are skeptical about introducing time travel into the story this late in the game, it appears that several characters have blacked out seemingly for no reason during key moments in their story.

Given that Bran is set up to witness Ned’s promise to Lyanna at the Tower of Joy, is Bran’s consciousness going to time travel into the past and accidentally warg into his father as Lyanna dies? Is that the real reason why Ned blacked out watching his sister die? Did Bran make Hodor the way he is by warging him in the past?

And what other implications will Bran’s time traveling mind have for the story?

 

only time will tell…

S6Ep2: There’s Snow Place Like Home

Though I’m far from the first person to notice some of this,  I think there is more to say about some of the imagery from Season 6 Episode 2, so I’d like to deliver my quick thoughts on some important symbolism from this weeks episode. Some of this you may have noticed, and some of it you may have missed. Either way there are things to be said about all of it.

So let’s dive in.


 

1. The Lord of Winterfell Beneath the Sea

lordofwinterfell

“It is beautiful beneath the sea. But if you stay too long you’ll drown.”

– The Three Eyed Raven

There is a lot more to this parallel than people probably recognize.

The second episode of Season 6 opens on Bran Stark greendreaming that he is back home. Except in the past. And in this vision of the past Bran is standing exactly where his father stood, and exactly how his father stood, in the very first scene of the show. He is overlooking a cheerful family moment. The Three Eyed Raven even mentions that Bran was happy once too, referencing this time before Bran’s fall. A time before the story even began.

What makes this (I believe) more significant than a simple Easter egg, is that Bran isn’t merely standing where the Lord of Winterfell stood, Bran is the Lord of Winterfell. Since the death of Robb Stark, it’s not Rickon, nor Jon, and not even Sansa that is the legal Lord of Winterfell. This should be kind of obvious but hardly ever considered, and is especially indisputable on the show, where there is no chance Robb Stark’s wife had a child, and there is no mention of Robb’s will.

Furthermore on the show the fact that Brandon Stark is alive is known to Sansa, Jon, and Rickon. That kid who opened the show shooting arrows as his older brother’s advised him, and his mother and father watched, has now by all rights inherited the castle. Except he’s stuck under a tree.

Though maybe not for long…

meerahome
I suspect that there is more to Meera than just boredom. I think “sad Meera”  has already begun to bring to light an integral part of Bran’s arc. But that’s another topic of discussion…

After a year long hiatus, Bran returning and setting up the theme of the episode on a dream of ‘home’ is especially significant since we find out from Leaf in the very next scene that Bran Stark is eventually leaving that cave. Not only did we have pretty strong indication of this before from the Game of Thrones Season 6 prosthetics video, but it’s become increasingly clear that years of fan theories which mostly presumed that Bran was staying under the tree forever now need to be reconsidered. And thus so do the fan theories built around those fan theories.

Yes the show is the show and the books are the books, but we need to at least consider that this may not be a departure.

So, given the knowledge that Bran is leaving the cave, and given how it seems the Starks will take a shot at Winterfell this season, we need to consider that the Lord of Winterfell may very well be going back home too.

 

 

2. Keep Your Shield Up

keepyourshieldup

This is a nice little parallel between Ned and Jon, with Benjen and Olly. It seems that either Jon learned this from Ned, or they both learned it from a common person (Rodrik?). I don’t know that there is anything here in the way of implications, but it’s a nice parallel. It’s worth noting that Ned Stark is basically Jon’s role model, and it’s nice that even though we can’t get Jon’s internal monologue on the show, we are getting a sense here that Jon really did try his best to emulate his real dad.

Also, people hate Olly way too much.

There. I said it.

 

3. Ser Wyllis the Unstoppable

Oh Nan

“Ah Nan! Look at the size of him. If he ever learned to fight he’d be unstoppable!” – Young Ned

This quote is fun because it’s true. It’s unclear if Hodor ever did learn how to fight (likely not), but when he is skinchanged by Bran we get a pretty clear sense that little Ned was completely right about him being unstoppable. Hell, if Wyllis had been trained as a knight he probably could have been a match for Gregor Clegane. Will a skinchanged Hodor perhaps be the hooded man saving Meera in the trailer?

Also, it seems that the scar above Hodor’s right eye predates whatever it was that took away his speech, indicating it may not be as simple as a bonk on the head.

Did anyone else get a Samwell Tarley vibe from young Wyllis? …. maybe just my imagination. In any case, it was a fun scene.

hodowned

 

 

 

4. Rodrik v. Rodrik: Dawn of Sideburns

Call Sheet # 04. Game of Thrones. Malta. 29/9/10
Mutton chops are coming

Here we see a young master-at-arms Rodrick Cassel and his mutton chops when they were just starting up. This is probably hugely significant to the story, because Rodrick’s facial hair ponytail is what actually provoked the Others, likely placing the timeline of their invasion at some point after Robert’s Rebellion.

 

 

5. Ramsay Bolton Sends His Regards

ramsaysendsregards

Ramsay Bolton throws one Killer Baby Shower.

No big surprises here. Roose Bolton dies much like he killed Robb Stark. Stabbed, minutes after finding out that he is having a son. It was probably a bit easier than it should have been, but then again the showRoose is the showRoose, and the bookRoose is the bookRoose.

Though obviously, this seems to be the beginning of the end for Ramsay Bolton.

 

 

6. A Strangerly Familiar Ritual

There has been a lot of talk about how modest and unassuming Jon’s resurrection ritual was. Yet there is something very familiar about what Melisandre did to Jon’s body prior to resurrecting him.

The similarity is uncanny… maybe there was a reason for showing us Arya washing bodies after all..

ritual

Here we have a pretty direct callback to the scene from Season 5 in which Arya is washing bodies at the House of Black and White. When you place the two scenes together, you find that even the cinematography of the two scenes echo each other, and so this is definitely an intentional parallel.

 

Note: it should be noted that both of these episodes have the same director.

From washing the body, to trimming the hair, to pouring a pitcher of water over the hair and draining it into a basin, the first half of the ritual is essentially the same.

Of course, Mel’s the ritual takes a different turn when she drops Jon’s hair into a fire and then starts praying over the body. The act of putting her hands over the body and asking “fire god” for a miracle is a lot more like what Thoros does, though Thoros doesn’t do any of the ritual stuff beforehand. Also Thoros doesn’t wait over 24 hours, and Thoros’ version works faster.

In any case, same idea…

That said, it’s worth noting that this ritual performed by the House of Black and White is one that is performed on bodies before their faces are cut off and they are added to the Hall of Faces for a Faceless Man to use their identity/face in service of the Many Faced God.

But how far does this parallel go?

facehalljon1
one way or another, a face will be added to the hall…

 

 

7. Red Star Dead Star

 

darkruby

There is a pattern in the show where every time Melisandre is using any kind of magic, the ruby around her neck will glow. This is the case when she survives drinking poison given to her by Maester Cressen, when she births a shadow demon which murders Renly, when she is taking off the magic which makes her appear young and beautiful, and even when she is showing Stannis visions in the flames.

Yet during Jon’s resurrection sequence… the ruby doesn’t glow.

It should be noted that though Mel admits to a certain amount of trickery (potions, powders, etc.), on the show the ruby has not been associated with any form of “fake” magic. Drinking poison. Birthing a demon which goes out and kills Renly. Those are not illusions. Renly being murdered by a shadow that came out of Mel’s vagina is NOT an illusion

So…

Was this a continuity error? Does the glow represent Mel’s confidence? Did her ruby start glowing when Mel left the room? Did Melisandre tap into something other than her usual magic? Was Mel responsible at all?

It might be a little too early to say, but I do think it’s worth noting that D&D were a bit vague about this in their post episode commentary.

 

credit to for this observation goes to reddit user u/_ebenezer_splooge_

 

 

8. Waking Up Gasping

myrcella dead

“Do you know why we use these stones? to remind us not to fear death. We close our eyes on this world and open them on the next.” – the High Sparrow

Finally I’d like to talk about death, and how it’s compared by the High Sparrow to closing one’s eyes on one world, and opening them on another. This is a pretty interesting quote given how this episode ends, but also given how the episode begins.

One could fairly say that Jon opening his eyes at the very end of S6Ep2 parallels Bran opening his eyes at the end of S1Ep2. But we could also say that there is a self contained symmetry to this episode on it’s own.

wakeup
This episode both opens and ends on characters waking up gasping. Which makes sense. There is no air beneath the sea.

Home opens on Bran, laying on his back, with his eyes glazed over as his eyes are opened to what is essentially another world, or, as the Three Eyed Raven would call it, ‘Beneath the Sea.’ Then when Bran awakens, he opens his eyes to the world around him. This mirrors the ending of the episode where Jon’s eyes are closed, and then they open. Both wake up gasping for air. So has Jon closed his eyes on one world and opened them on another? is there a next world at all? UnBeric certainly didn’t think so.

Is the High Sparrow’s quote better applied to Jon or to Bran? or perhaps both?

 

 


That’s all we’ve got folks. Feel free to sound off in the comments section with your thoughts.

 

 

 

 

III. Now I am become Death: Legacy of a Toy Soldier

In Part 1 we talked about how the death’s Martin writes are consequential, and deal with the depersonalization of war. And in Part 2 we went over how R’hllor resurrection is essentially false, and discussed the glaring evidence that Beric Dondarrion and Lady Stoneheart, much like Coldhands, are being subconsciously animated by the Bloodraven, the Lord of Corpses. And we also talked about how Jon and Jaime have parallel crypt dreams, where something terrible is waiting for them in the darkness of death.

Remember how I said the second Act was the darkest? well I lied. This is going to be way, way darker. Most of you are not going to like this theory. You are going to have the urge to rage quite, call me crazy, and downvote. I only ask that you try to keep an open mind and remember that we’re just talking, and try your best to read the whole thing before forming an opinion. Just let the wave of horrible, devastating hype wash over you.


 

I’ll jump into your grave and die
And on my words you’ll give up your whole life for me
And you’ll be reborn bigger and stronger
and less alive…

– Laura Marling

 

Central Questions:

  1. What did it mean when Frodo claimed the Ring of Power?
  2. How will Jon be resurrected?
  3. What is Bran’s story really about?
  4. When Brandon Stark died, what happened to Ned?
  5. What is Azor Ahai?

 

The Ring is Mind

frodoring
The Ring effects Frodo more like crack than anything else, but it’s really supposed to be absolute power.

“You know what I’m saying, I love Tolkien. I want to stress that here because I don’t want to come across like I’m slamming him. But I am responding to him.” – GRRM, TIME

In Martin’s response to the Lord of the Rings, the parallels between Jon Snow and Aragorn are hard to ignore. Both are Northern Rangers and secret heirs to a seemingly severed line of kings. Both were fostered and both are being supported by a wizard during a time of war with a supernatural force. And both wield magic swords which can kill that which cannot be killed otherwise. They even look alike. And if Jon is King Aragorn, then Bran is Frodo, the Ring Bearer. Frodo who is plagued by visions and being carried on a secret quest, taking absolute power into the territory of the enemy to save all of mankind. Both characters at first wield this power accidentally, and it seems like no big deal, yet both eventually succumb to the temptation to wield it on purpose.

Bran’s version of the One Ring is his own telepathic power.

Yet the One Ring in LotR strongly evokes The Ring of Gyges, Plato’s allegory for absolute power, which in Tolkein’s view; “corrupts absolutely.” When Frodo reaches Mount Doom, he succumbs to the lure of the Ring of Power and claims the ring for himself. When Frodo put on the Ring, did he not symbolically succumb to the temptation of absolute power? Do we not all remember how devastating it was to witness Frodo finally reaching the end only to lose sight of himself and claim the Ring? Has Bran not also reached his own Mount Doom? Are Bran’s powers of mind control not also allegorical to absolute power? What does this all mean?

Well… something devastating.

BranWagsJon1
From the season 6 teaser. #theravenbringstheHYPE

I promised controversy at the beginning, and so let me come right out with some.

Whatever part of Jon’s consciousness that jumped into Ghost, is going to remain in Ghost for the remainder of the story. Yes, I don’t think that part of Jon will really make it back. I believe Ghost has been named Ghost because he will permanently act as the ghost of Jon. A second life worthy of a king. The shell for Jon’s Ghost.

There would be a second life worthy of a king. He could have done it, he did not doubt. The gift was strong in Snow, but the youth was untaught, still fighting his nature when he should have gloried in it. – Varamyr, ADWD

Whatever part of Jon that jumped into Ghost was likely not all of him. It was his soul. It was his consciousness. But everything we know about warging indicates that it is a telepathic link. The warg’s consciousness enters the wolf, but they only bring so much of themselves. The reason they forget who they are over time is that memory is stored in the body. Each day of Jon’s second life inside Ghost, he will forget more and more of himself because the link to his memories is severed. His body is dead. He cannot access his memories.

healwayscomesback
What if this isn’t D&D making fun of plot armor? What if like “keep reading Samwell Tarley” and “You have no idea what people will do. All of your books and still you don’t know,” D&D are making fun of everyone’s presumption that anyone can really always come back.

 

Still Jon will be resurrected. The story demands it. But we remember Khal Drogo. We saw what life really means, when all else has gone. Jon needs more than a heartbeat.

 

Kill the Boy: The Abominable Snow Man Reborn

snow_3507981b
so very Christ-like…

The show will likely have Melisandre giving Jon the kiss of resurrection, which she specifically learned was possible from Thoros in season 3. But in the books, though it could be Melisandre, I strongly suspect it will be Lady Stoneheart, as I really doubt that spark of life will end with her. Catelyn rising from the dead isn’t likely meant to simply result in a face off with Jaime and Brienne, as undead Catelyn has been planned as early as Martin’s original trilogy pitch.

Jon’s resurrection isn’t happening right away. It’s likely not coming till the end of TWOW. Given the realization that Stannis is going to burn Shireen, we can actually plot out Jon’s path from death to resurrection. We can safely assume that if Melisandre were to bring Jon back to life, she would immediately see Jon as Azor Ahai reborn, and thus would have no reason to burn Shireen with Stannis. Meaning, Jon cannot be resurrected by, or in front of Melisandre, until AFTER she reaches Stannis and they burn Shireen.

 

Let me break it down step by step:
Step 1: After reading the Pink Letter to the Watch and announcing his intent to march on Winterfell, Jon is seemingly stabbed to death by the Night’s Watch in front of a rampaging Wun Wun. The Pink Letter is a lie, book Stannis is alive.

Step 2: Chaos ensues. The Watch has betrayed the Lord Commander who ensured the wildlings safety, and they believe Stannis to be dead and the Boltons to be making demands. The Watch are currently being threatened by the Boltons unless they give up (f)Arya, Selyse, Shireen, Melisandre, Val, Reek, and “Mance’s son“. Two of them they don’t even actually have.

Step 3: Selyse and Melisandre can no longer stay at the Wall, nor can Val and the wildlings. Stannis’ faction and the wildlings find common cause, leave the Wall, and take Jon’s body with them. We know this has to happen, because Stannis has to burn Shireen, and Stannis isn’t coming back to the Wall without taking Winterfell.

Step 4: Stannis battles the Bolton forces, likely with the aide of several Northern Houses, Mountain Clans, maybe the wildlings, and the Brotherhood Without Banners, who have likely moved on to the other perpetrators of the Red Wedding.

Step 5: Eventually Stannis and Melisandre burn Shireen. We know this will happen. It could be because the Wall has fallen and Others are coming, or it could be because the Northerners have betrayed Stannis. It could happen before taking Winterfell, but I suspect the burning will likely happen at Winterfell, maybe even the broken tower.

Step 6: Meanwhile Jon’s body will be brought to the crypts. With the Brotherhood at Winterfell, Lady Stoneheart, [who has Robb’s crown], goes into the crypts and crowns Jon before passing her life to him. He is now King in the North and Lord of Winterfell. A dragon has awoken from stone[heart]. Azor Ahai, the Son of Fire has been reborn. Is Lady Stoneheart his mother?

“Sometimes I think I was born on the bloody grass in that grove of ash, with the taste of fire in my mouth and a hole in my chest. Are you my mother, Thoros?” – Beric Dondarrion (Arya VII, ASOS)

Step 7: Jon is risen. It’s seen as a miracle by Stannis’ R’hllor worshiping followers, who proclaim him Azor Ahai. The wildlings also choose to follow Jon, as they also witnessed his death, and they follow strength. The Brotherhood without Banners are working with Howland Reed, and also among them is Lem Lemoncloak who knows R+L=J, and so they acknowledge Jon as the King they must serve. This is the beginning of the forces who will face the Others.

Step 8: Jon will be able to ride a dragon and the Free Folk will call him the Winged Wolf.

WAIT A SECOND

… isn’t Bran the Winged Wolf?

Just like Bloodraven is the one using his consciousness to animate Coldhands and Beric and Lady Stoneheart, Bran will be the one to animate Jon.

“lol ya right, tinfoil alert” – you, denial

I know you don’t believe me yet. Stay with me.

Bran’s mind will animate Jon and the dragon he rides. He will become Jon through the abomination of human skinchanging. The dragon has three heads. THREE. HEADS. And in doing so he will start to lose himself and become Jon. Not Jon’s personality, but his identity. His political function. His “destiny.” When the corpse of Lady Stoneheart passes her fire on to wake the corpse of Jon Snow, she will really be looking at her own Bran one last time.

This will mirror the events of Jon saying goodbye to a comatose Bran, and Catelyn remarking that it “should have been [Jon].” It’s not unlike the Dance of the Dragons actually, with Lady Stoneheart playing the part of Queen Alicent, Bran playing the part of Aegon II, and Jon playing the part of the motherless Rhaenyra. A Dance of the Wolves, if you will.

Azor Ahai is reborn from his own mother, taking her life.

Azor Ahai is an abomination.

If that sounds morbid that’s because it is. It’s all going to be incredibly morbid.
We’re all going to be like Sam:

ringon
This is your face while reading this essay.

Bran will become Jon, and Jon will be seen as Azor Ahai reborn. The Lightbringer. Yet Jon is dead, and Bran will have taken his place. The thing in the darkness in Jon and Jaime’s crypt dreams is in fact Bran the Body Statcher. That’s why in Jon’s first wolf dream which awakens his warging ability, the weirwood with Bran’s face smells of death. That’s why Jaime answers that the doom in the crypts is neither a bear nor a lion, but does not deny that it’s a direwolf. Because it is a wolf.

 

For Fear of the Big Bad Wolf

shaggydogcrypts

“he doesn’t like chains”- Rickon Stark AKA Thug #1

In part 2 I talked about how both Jon and Jaime have crypt dreams where they fear something waiting for them in the darkness of the crypts.  Using both crypt dreams to interpret each other we can see that the darkness of the crypts is death, as Jaime knows it to be his doom with certainty. And the thing waiting for them in the crypts? Well it’s shown to us in Bran VII, AGOT, when Bran, Osha, and Maester Luwin actually go into the crypts of Winterfell.


I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad.”[…] “It was something to do about Jon, I think.” The dream had been deeply disturbing, more so than any of the other crow dreams. “Hodor won’t go down into the crypts.” – Bran VII, AGOT


After the execution of Eddard Stark, yet before finding out about it, Bran has a dream that the 3 Eyed Crow took him into the crypts where he spoke to his father, who was sad about Jon. It should be noted that Martin has specifically stated in an SSM that this is the only time that Hodor is afraid of the crypts.

[Maester Luwin] thrust his arm into the blackness inside the tomb, as into the mouth of some great beast. “Do you see? It’s quite empt—”

The darkness sprang at him, snarling.
Bran saw eyes like green fire, a flash of teeth, fur as black as the pit around them.
Maester Luwin yelled and threw up his hands. The torch went flying from his fingers,
caromed off the stone face of Brandon Stark, and tumbled to the statue’s feet, the flames
licking up his legs. In the drunken shifting torchlight, they saw Luwin struggling with

the direwolf, beating at his muzzle with one hand while the jaws closed on the other.” Bran VII, AGOT


Bran is instead carried by Osha, and they go to Eddard’s future tomb, and when Maester Luwin reaches into it, he is savaged by Shaggydog, who has been brought by Rickon, (who also dreamed their father, indicating that it may have actually been Ned’s consciousness). A wolf was in the crypts.
The thing in the darkness of the crypts is a wolf.

“That . . . that beast,” Luwin went on, “is supposed to be chained up in the kennels.” – Bran VII, AGOT


Summer gets Shaggydog off of him, and Maester Luwin comments that Shaggydog is supposed to be chained. But he’s now been unchained.


“I dreamed of a winged wolf bound to earth with grey stone chains,” he said. “It was a green dream, so I knew it was true. A crow was trying to peck through the chains, but the stone was too hard and his beak could only chip at them.” – Jojen Reed (Bran IV, ACOK)


 

When Jojen dreams of Bran, Bran is constantly depicted as a chained wolf. Until Jojen unchains him.
The wolf in the crypts is Bran.


“Bran,” the maester said firmly, “I know you mean well, but Shaggydog is too wild to run loose. I’m the third man he’s savaged. Give him the freedom of the castle and it’s only a question of time before he kills someone. The truth is hard, but the wolf has to be chained, or …”


 

Rickon remarks that he doesn’t like being chained. Luwin says that he is the third person Shaggydog has savaged. Luwin then tells Bran that the wolf must be chained, which Bran doesn’t like hearing.
Bran will seize the bodies of three people. Hodor is the first. Robert Strong (maybe Jaime) is the second. Jon is the third.

It should be no surprise that Bran is the the wolf in the darkness. Not only does Jon dream that BranTree™ likes darkness, and not only does Bloodraven keep Bran in darkness, and tell Bran that darkness will make him strong, but Bran literally hides in the crypts during ACOK.

BranWagsJonHYPE3
Seriously go back and watch the season 6 teaser. Just watch it.

Oiwho8a8UKSHNDKU NO, no no NO! No. that’s NOT what this story is Jon needs to find out his parentage and he needs to be himself so he can save the universe + have a happy ending and he is the main character  and he needs to slay the Night’s King + marry the Other Queen and be King and Sam will be Grand Maester and..” – you, anger

Resist the urge to rage quit. Resist. We’re just talking here. STAY WITH ME.

It’ll be better to flame me when you’re done reading.

 

You think it’s a coincidence, but you still don’t believe me. You aren’t ready to embrace the hype because the hype is an abomination.

So let’s keep going.

 

What if I told you, that Bran’s entire story has been setting this up?

Actually, what if I told you that the entirety of A Song of Ice and Fire has been setting this up?

 

Let’s talk about Bran…

 

Bran the Body Snatcher

BranLord

A Song of Ice and Fire truly opens on Bran. After the prologue, it is Bran, not Ned, not Daenerys, and not Jon, who is our first POV character. Early in the story, Bran experiences a fall which changes his life, and from that moment forward Bran’s story becomes plagued with the fundamental power dynamic at the heart of Westeros.

“No one wants to hurt you, Hodor, he said silently, to the child-man whose flesh he’d taken. I just want to be strong again for a while. I’ll give it back, the way I always do.” – Bran, ADWD

Bran is an innocent, well meaning, high born boy who cannot be what he wants, unless he subjugates someone else.

What we also have in Bran, is a main character that not only has the capacity to warg another person, and not only has done it already, but who has every reason to want to do it to escape his disability.

You will never walk again, Bran,” the pale lips promised, “but you will fly.” – (Bran II, ADWD)

Despite the first quote, Bran continues to seize Hodor’s body and walk around in his skin.

Meera began to cry. Bran hated being crippled then. ‘Don’t cry,’ he said. He wanted to put his arms around her, hold her tight the way his mother used to hold him back at Winterfell when he’d hurt himself. She was right there, only a few feet from him, but so far out of reach it might have been a hundred leagues. To touch her he would need to pull himself along the ground with his hands, dragging his legs behind him. The floor was rough and uneven, and it would be slow going, full of scrapes and bumps. I could put on Hodor’ s skin, he thought. Hodor could hold her and pat her on the back. The thought made Bran feel strange…” – Bran, ADWD

Within the fandom we spend a lot of time talking about the inevitability of Bran warging a dragon, or Bran having a vision quest and revealing Jon’s parentage, as these are both satisfying things which are very very likely to happen. We want answers about Jon and we want to see Bran being a badass without it being at the expense of anyone we care about, so we have sort of accepted Bran’s story working around his handicap through becoming a “knight of the mind.” We spend more time thinking about how Bran can boost up Jon, and little time thinking about what Bran will do for himself.

Yet that is sort of ignoring Bran himself, and everything he wants in life. It’s sort of like how many fans expect Arya to lose her identity and become No One, until they actually start paying attention to the fact that everything about who Arya is and what she is thinking is telling us that she cannot give up her identity. Similarly, if we actually listen to Bran, he is sending us a very clear message that most of us aren’t listening to.

If I had a poleaxe with a big long haft, Hodor could be my legs. We could be a knight together. – (Bran VII, ACOK)

hodowned
Ser Hodor is metal as fuck.

SEE. EVERYONE PAY ATTENTION TO WHAT BRAN IS SAYING.

OR ELSE.

“… sooner die than live like that,” muttered one, his father’s namesake Eddard, and his brother Torrhen said likely the boy was broken inside as well as out, too craven to take his own life.

 

It’s really heart breaking. Bran is totally obsessed with knights, and knights are mentioned constantly in Bran’s chapters. Before his fall being a knight was all Bran ever dreamed of, and before his fall he was going to go to King’s Landing with his father and squire for his hero Ser Barristan the Bold. Even up until now, Bran has never really let go of that hope.

In case you felt like having a good cry, here is every mention of knights in Bran’s chapters.

Yes, Bran is being trained to be a tree person, and yes he will probably be able to warg a dragon at some point. But these things parallel Arya’s training to become a Faceless Man. They aren’t what the kid really wants. Likely due to Bran’s age, the show doesn’t continually emphasize this as much (though the show pretty much has had Jojen spell out that Bran is chosen to stop the Others, and pretty much everyone ignores this scene completely because Jon isn’t in it), but a big part of Bran’s story revolves around escapism and feelings in inadequacy resulting from his disability. In Westeros, particularly among the more martial culture, a cripple boy is essentially seen as a waste of life, and Bran is actually called a coward by the other kids for not having killed himself already. He can neither be a knight, nor produce an heir, nor join the Watch let alone the Kingsguard, nor be a normal person.

Branratherbedead
JON IS DEAD. WHAT IS DEAD MAY NEVER DIE, BUT RISES

Bran doesn’t truly want to be a a tree. Bran doesn’t want to be his broken self. Bran doesn’t even really want to be Hodor.

Bran wants to be a knight.

“All the tales agreed that the green men had strange magic powers. Maybe they could help him walk again, even turn him into a knight. They turned the little crannogman into a knight, even if it was only for a day, he thought. A day would be enough.” – Bran, ASOS

Bran wants to be a hero.

“I’d sooner be a wolf. Then I could live in the wood and sleep when I wanted, and I could find Arya and Sansa. I’d smell where they were and go save them, and when Robb went to battle I’d fight beside him like Grey Wind. I’d tear out the Kingslayer’s throat with my teeth, rip, and then the war would be over and everyone would come back to Winterfell. If I was a wolf . . .” He howled. “Ooo-ooo-oooooooooooo.” – Bran I, ACOK

Bran wants to be with Meera.

Part of him wanted to shout at [Jojen and Meera] for leaving him, and another part wanted to cry. He was almost a man grown, though, so he said nothing. But after they were gone, he slipped inside Hodor’s skin and followed them.” – Bran, ADWD

Bran wants to not be broken anymore.

“What was he now? Only Bran the broken boy, Brandon of House Stark, prince of a lost kingdom, lord of a burned castle, heir to ruins. He had thought the three-eyed crow would be a sorcerer, a wise old wizard who could fix his legs, but that was some stupid child’s dream, he realized now. I am too old for such fancies, he told himself. A thousand eyes, a hundred skins, wisdom deep as the roots of ancient trees. That was as good as being a knight. Almost as good, anyway.” – Bran, ADWD

Unfortunately for Bran, not being broken anymore comes at a terrible cost. The cost of violating another person’s agency, subjugating another person, and losing himself. Bran’s abilities are Martin’s version of the Ring of Power, and serve as an allegory for power at it’s most basic. I have to hand it to GRRM, as the relationship between Bran and Hodor is a microcosm of feudal power dynamics, and perhaps the most empathetic possible illustration we could have gotten of the relationship between the ruling class and their subjects. Bran is a kind hearted boy of privilege and the best possible representation of the ruling class, and Hodor is a simpleton without education or ambition who could accomplish nothing on his own. Bran needs Hodor’s services for the most sincere of reasons, but it still requires the subjugation of Hodor’s will. Yet we have to wonder if Bran’s possession of simple Hodor is not often times for the greater good.

azorahailaying
KILL THE BOY. WAKE THE DRAGON. BRING THE HYPE.

Abomination, abomination, abomination. To eat of human meat was abomination, to mate as wolf with wolf was abomination, and to seize the body of another man was the worst abomination of all. Haggon was weak, afraid of his own power. He died weeping and alone when I ripped his second life from him.” – Prologue, ADWD

But it’s not going to stop at Hodor. In fact, I strongly believe that Varamyr and Haggon parallel Bran and Jon here. Jon/Haggon resists their power, and Bran/Varamyr exult in it. It’s funny that I’ve seen people suggest that Bran will play Jon’s Nissa Nissa, but Bran’s entire story has been filled with people being sacrificed for him. The Miller’s boys die in Bran’s place. Bran has likely eaten human meat passed off as pig and even later Jojen (Jojenpaste) to help awaken his powers. And in Bran’s very last scene in ADWD, Bran tastes the blood of a human sacrifice.

“And through the mist of centuries the broken boy could only watch as the man’s feet drummed against the earth … but as his life flowed out of him in a red tide, Brandon Stark could taste the blood.” Bran III, ADWD

 

I know. You still don’t believe me. You’re thinking:

“FINE! Bran wants to be someone else, or a knight or whatever… But Bran and Jon both have their own stories to live out! Jon has to save the world, and Bran has to… give exposition about Jon… maybe he can warg Robert Strong or something? … someone less important. Not Jon. Anyone but Jon.” – you, bargaining

But I suspect it has to be Jon. It being Jon may be the whole point.

Passing On: The Ultimate Hand-Me-Down

gotfirstshot
The very first shot of Bran, Jon, and Robb. Two of these characters are dead.

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,

– William Shakespeare

When Brandon Stark rode off to challenge the crowned Prince and was subsequently executed by the Mad King, what happened to Ned? Well, Ned was sentenced to death for Brandon’s crime. Ned marched off to fight Brandon’s war. Ned went to Riverrun to marry Brandon’s fiancé. Ned found Lyanna on Brandon’s behalf. And Ned became Lord of Winterfell in Brandon’s place.

“Brandon had been twenty when he died, strangled by order of the Mad King Aerys Targaryen only a few short days before he was to wed Catelyn Tully of Riverrun. His father had been forced to watch him die. He was the true heir, the eldest, born to rule.” – (Eddard I, AGOT)

Ned became his older brother.

Not his brother’s personality. Not his love of horseback riding or womanizing tendencies. Not his brother’s soul or humanity. Not the things of Brandon which really made him Brandon on a personal level. But a shell of Brandon. He took on Brandon’s sociopolitical and military function. Whatever hopes or dreams or plans Ned had in life, be they to win the heart of Ashara Dayne or what have you, none of that mattered anymore. The world and the war needed an heir to Winterfell, and Ned had no choice but to play the part.

And now the Westeros “needs” Bran’s dead “brother” to be “Azor Ahai.

RenlyShade
Renly’s Ghost at the Blackwater. #GhostintheShell

What did Garlan Tyrell do when Renly Baratheon died and the Tyrells went to fight at the Blackwater? Did he not put on Renly’s armor and march in to battle, confusing Stannis’ troops? It didn’t matter that Garlan was not really Renly. The battle didn’t need Renly’s soul or his humor. It didn’t need Renly’s personality or his personhood. War doesn’t care about your soul. The battle needed a shell of Renly in the most literal sense, and it worked. Garlan played the part, and “Renly’s Shade” was among the great heroes of the battle.

When Jon Arryn dies, Ned is pushed to leave his home and his family to take over for his mentor as Hand (though to be fair Ned also wanted to solve the murder). When Ned left Winterfell, Robb did his best to emulate his lord father. When Robb marched off to war, Bran did his best to emulate his oldest brother as Lord of Winterfell (which technically, Bran is still the rightful Lord of Winterfell).

That night she dreamt that she was Rhaegar, riding to the Trident. But she was mounted on a dragon, not a horse. When she saw the Usurper’s rebel host across the river they were armored all in ice, but she bathed them in dragonfire and they melted away like dew and turned the Trident into a torrent. Some small part of her knew that she was dreaming, but another part exulted. This is how it was meant to be. The other was a nightmare, and I have only now awakened.” – Daenerys III, ASOS

Then there is Daenerys. Daenerys is all about taking up the cause of the dead. When Viserys dies she takes to pushing Drogo to war. Her brother Rhaegar “The Last Dragon” was obsessed with abstract prophecies and being or creating a messiah figure. And Dany repeatedly dreams herself in Rhaegar’s armor, and becomes “the Last Dragon” herself. When her husband and son dies, she takes up their roles as well. She tries to lead Drogo’s khalasar, and in place of her stillborn son Rhaego, Dany seems set up to become The Stallion That Mounts The World.

Perhaps some small part of Bran will know he is dreaming too. But will he want to wake up?

“Aegon has been shaped for rule before he could walk. He has been trained in arms, as befits a knight to be, but that was not the end of his education. He reads and writes, he speaks several tongues, he has studied history and law and poetry [….] Tommen has been taught that kingship is his right. Aegon knows kingship is his duty, that a king must put his people first, and live and rule for them.” – Varys (Epilogue, ADWD)

What has Varys done in response to baby Aegon’s apparent death? Has he not prepared a lookalike and indoctrinated him with the belief he is Rhaegar’s [dead] son to lead an invasion and reclaim Aegon’s throne? Is Young Griff not living out a dead boy’s life? Sure it may offer more glory than any life he could have hoped for as whoever he really was, but the same could be said about the life of a cripple. The point stands that Young Griff has been made to live out someone else’ life because a political cause needed him to.

And what of King Tommen?

bran-and-BR
when one king dies…

I think it’s funny that in all the talk of “bad poosay” and “20 goodmen,” there has been next to no discussion on this incredibly significant season 5 scene on Tommen and Margaery’s wedding night.

Tommen: King Tommen… still sounds strange to me. Does Queen Margaery sound strange to you?
Margaery: So strange… husband.
Tommen: Wife. [both laugh]
Tommen: Sometimes it feels odd. I’m the king. I’ve married the most beautiful woman in the world. And it’s all because my brother died.

Margaery: I understand, but it’s not your fault. You know that, don’t you? You mustn’t feel guilty.
Tommen: I don’t feel guilty. That’s what’s odd.

Besides showing us that Tommen in fact knew his brother was awful, the boy King is making an astute observation about the nature of feudalism. Before Joffrey’s funeral was even over, Tywin began grooming Tommen to take his brother’s place. Like Ned, the feudal order has required that Tommen jump into the life that was meant for his older brother, and he is reflecting on his own lack of guilt over it. Now this is a significant realization, and considering how naive and simple Tommen is, we can only assume that having sex with Natalie Dormer completely blew Tommen’s mind.

 

natalie-dormer-game-of-thrones-wallpaper-1
I’m surprised Tommen didn’t kill Joffrey himself. #worthit

I believe that this dialogue is not simply about Tommen, nor about Jon and Robb, but is foreshadowing the big twist with Bran. Not only are the parallels set up between Tommen and Bran, but it’s Bran, not Jon who has survived his two brothers, and is most set up to jump into the life of another person.

“At Winterfell Tommen fought my brother Bran with wooden swords. He wore so much padding he looked like a stuffed goose. Bran knocked him to the ground.” Jon went to the window. “Yet Bran’s dead, and pudgy pink-faced Tommen is sitting on the Iron Throne, with a crown nestled amongst his golden curls.”

For Bran it’s really the same, (unfortunately for Bran he gets a magic tree rather than Natalie Dormer, as if he hasn’t suffered enough…) It should be abundantly clear that Bran doesn’t actually like his life, or having to be himself. He doesn’t like being under the tree with the rotting Bloodraven. He doesn’t like being broken. He doesn’t like being left behind. He doesn’t like being Bran. He wants to be a knight. He wants to be a hero.

Someone like Jon. Someone like Azor Ahai.

Bran’s older brother has just died when the Realm needed him most (or at least, that’s how it’s been set up). But the Realm doesn’t need Jon’s personality. Not his insecurity. Not his humanity. Not his love for Ygritte, or his guilt over her death, or his friendship with Samwell Tarly. The Realm doesn’t need him to have a sweet reunion with Arya. Westeros needs someone to fulfill a political and military function. To be a symbol, a hero, a messiah, a Prince That Was Promised. But not to be a person.

This is what society, and more specifically war, does to people.

War, like feudalism, is inherently depersonalizing. It reduces people to their military and political function. When one soldier, lord, or king dies, the next person in line takes their place, and carries on the charade. It makes us question who is really driving society when the kings and leaders are themselves being played by their own game. We often look at Kings and Presidents as being these all powerful puppet masters, but people become slaves to their political power, and all of the responsibility and history they are bound to. It’s as if the strongs between puppet masters and their puppets work both ways.

Perhaps it’s not really about pawns and players. Perhaps we don’t play the game. Perhaps the game plays us.

Well, he will not want it said that Stannis rode to the defense of the realm whilst King Tommen was playing with his toys. – Samwell I, AFFC

Thus the War for the Dawn needs Jon to be reborn amidst salt and smoke, and consequently convince mankind he is their savior, but not to be whole or happy. It needs him to declare the political implications of his true parentage, but not for him to deal with the painful realization that he is adopted and never even knew his real parents. The War needs him to ride a dragon as if he and it are of one mind. Not for the joy of flight, but to kill things. The War needs him to marry Daenerys to unite the Kingdoms, but not to genuinely experience love or joy. The War for the Dawn needs Jon, but it doesn’t need Jon.

“but…. but Jon is the song of ice and fire…” – you, sad

To that I’ll just say that if you insist upon the symbolism that Jon is the song, then the song needs someone else to sing it. Jon is the dream, and Bran is the dreamer. Also I’d say that Bran dreamed he was the comet of burning ice way back in book 1. Anyways…

The War for the Dawn needs it’s Azor Ahai. And what is Azor Ahai but a symbol? A legacy? A vicarious fantasy? A child’s toy?

 

War In Heaven

kalki_avatar_slaying_demons_by_fridolinfroehlich-d3gr9zp
Lord Kalki, the 10th and final avatar of the Lord Vishnu and harbinger of the end times. Come with his blazing sword to slay demons and replace Kali Yuga (the Age of Vice) with Satya Yuga (the Age of Truth) in which mankind is governed by the gods. 

“Now I am become Death, the destroyer of worlds”

– J. Oppenheimer,

(from The Bhaghavad Gita)

Remember, Martin has a very cynical outlook on war. And war heroes are in no way exempt from that cynicism. See: ‘The Hero’ by GRRM.

All of that dialogue about losing oneself inside a wolf wasn’t foreshadowing Jon struggling to remember himself inside Ghost. It was foreshadowing Bran’s struggle not to lose himself in Jon.

Jojen: Summer was eating. You’re body can’t live on the food your wolf consumes. Spending too much time in Summer’s skin is dangerous. You’re not a direwolf Bran. It must be glorious though. To run. To leap. To hunt. To be whole. I know it’s tempting, but if you’re trapped in Summer for too long, you’d forget what it was to be human.

Meera: You’d forget us Bran. You’d forget your mother and father, you’d forget your brothers and sisters, you’d forget Winterfell. You’d forget you. And if we lose you, we lose everything.

– S4Ep2, written by GRRM

Look at it this way. Jon’s struggle not to lose himself inside Ghost, though internal, is really totally dependent upon what is external. It’s merely a question of whether or not Jon remembers being Jon long enough till someone can work their resurrection magic. Jon doesn’t actually want to be a wolf. It’s forced upon him by death.

You have to wake, he would tell himself, you have to wake right now, or you’ll go dreaming into death. Once or twice he pinched his arm with his fingers, really hard, but the only thing that did was make his arm hurt. In the beginning he had tried to count the days by making note of when he woke and slept, but down here sleeping and waking had a way of melting into one another. Dreams became lessons, lessons became dreams, things happened all at once or not at all. Had he done that or only dreamed it?” – Bran III, ADWD

Bran’s struggle to remember himself while playing Azor Ahai is genuinely internal. It’s not just an arbitrary question of how long he is stuck in Jon before a wizard pulls him out, but rather it’s a question of whether Bran even wants to come out at all. Is there any reason for Bran to want to go back to being Bran the Broken? Is there any reason for him to want to wake up from his hero dream? from being the knight who slays the monsters?

BONUS Show Prediction: We are not going to get a scene where Bran, having witnessed the reveal of Jon’s parentage at the Tower of Joy then explains it to Jon. S6Ep1 ‘The Red Woman’ ended with Melisandre staring into the mirror, taking off her glamor, and looking at her true self, an old feeble woman. I predict that Jon will be resurrected and we won’t actually know that it’s Bran who is animating him. Jon will fight against the Boltons in the much anticipated Battle of Snow, and take Winterfell. There, in the season finale, hoping to pocket himself a claimant to the throne, Littlefinger will approach Jon in the Godswood to reveal Jon’s true parentage. To Littlefinger’s surprise, Jon will say that he already knows. Later, like Atreyu staring into the Magic Mirror Gate, Jon will stare at his reflection to reveal Bran Stark. His true self is a crippled boy.

jonsnowseason6
A sword day… a red day… ere the sun rises! Ride now!… Ride now! Ride! Ride to ruin, and the world’s ending! Death! Death! DEATH!

Yet we really have to ask ourselves, when Jon is resurrected, who will that person be? will it be Bran? will it be Jon? is it Bran playing Jon? is it both? is it like the Father, Son ,and Holy Ghost? is it neither? is it Azor Ahai? It’s like asking ourselves who is Bran when he wargs Summer? (furthermore, for everyone wondering how a formerly crippled 10 year old will fight a war, I’d argue he will do it as seamlessly as he becomes a direwolf with absolutely no learning curve.) But is he still himself if he is in another body, with the instincts and impulses of another body? if he has the memories of another man? if he can’t really remember himself? if he is slowly losing himself in a child’s fantasy? in living out a game of toy knights?

burning skeleton
A sword day… a red day… ere the sun rises! Ride now!…. Ride now! Ride! Ride to ruin, and the world’s ending! Death! Death! DEATH!!!

And that’s all Azor Ahai is isn’t it? a fantasy. A story we tell ourselves over and over until we forget that it’s a lie. That it’s hollow, empty propaganda. Just like the War for the Dawn. The dead leading the living against the living leading the dead. A war on earth between the forces of heaven and hell. And which side are we? Which side, are we?

“Maester Aemon, wake up.”

Aemon’s blind white eyes came open. “Egg?” he said, as the rain streamed down his cheeks. “Egg, I dreamed that I was old.” – (Samwell I, AFFC)

I don’t think we really know. But I suspect that like Bran Stark, we can either go dreaming into death, or we can wake up.


 

In Review

  1. What did it mean when Frodo claimed the Ring of Power?
    – Symbolically it meant succumbing to temptation and claiming absolute power. The power of Kings.
  2. How will Jon be resurrected?
    – Lady Stoneheart will pass on her life force to him like Beric before her. Bran will animate Jon through the power of human skinchanging. 
  3. What is Bran’s story really about?
    – Escapism and feelings of inadequacy. All Bran ever dreamed of was being a knight, but now through no fault of his own he cannot even be a normal person. The only way out for Bran is seemingly by subjugating someone else.
  4. When Brandon Stark died, what happened to Ned?
    – War and the feudal order demanded that Ned jump into his brother’s life, becoming a shell of his brother. Ned became Brandon. This de personalizing nature of succession and war is a theme throughout the story, from Renly’s Ghost, to (f)Aegon, to Daenerys, and next to Bran.
  5. What is Azor Ahai?
    – An abomination of human skinchanging. A human weapon of war. A symbol. The burning dead leading the living against the frozen living leading the dead. A fiery corpse riding to death, and the world’s ending. A child’s toy living out a hero fantasy. 

 


 

Whether I’m right about any of this or wrong about all of it, thanks for reading.
Play us out Laura Marling…


 

II. Now I am become Death: The Lord of Corpses

In Part 1 we went over GRRM’s philosophy about death and the consequences of resurrection. If you thought part 1 was a little bleak… then remember what they say about Act 2 being the darkest. Also, remember that I’m well aware that I could be wrong about any of this, and we’re just exploring here, and at the very least these may be new theories for you. So let’s try to keep an open mind while we take this one step further into darkness.


 

“To die will be an awfully big adventure”

– Peter Pan

 

Central Questions:

  1. Why was Thoros able to resurrect Beric Dondarrion?
  2. What was Coldhands?
  3. How different are Beric and Lady Stoneheart from Coldhands?
  4. Who is the Lord of Corpses?
  5. What really pulled Catelyn’s body from the river?
  6. Is identity something that is, or something that is performed?
  7. What are Jon and Jaime’s crypt dreams about?

 

Do you want to build a Scarecrow Knight?

Burning-Scarecrows
Not like this…

Beric Dondarrion is pretty much dead inside, and like Martin has said, part of what is animating Beric is his own inner purpose. His own burning desire to protect the innocent and serve the realm. To be a scarecrow that stands against those who would prey on the weak in the chaos of war. Though they are not of the Faith of the Seven, under Beric Dondarrion the Brotherhood Without Banners act pretty much like knights, and don’t display the religious extremism which defines Melisandre. The Brotherhood are friendly towards practitioners of multiple religions and even seek the wisdom of the Ghost of High Heart, who worships the Old Gods. The Brotherhood are all about justice, and though they serve no king, their oath indicates that they believe in the general idea of one. So they’re not quite the anarchists they seem, but are serving the abstract idea of a better kingdom.

The king is dead,” the scarecrow knight admitted, “but we are still king’s men, though the royal banner we bore was lost at the Mummer’s Ford when your brother’s butchers fell upon us.” He touched his breast with a fist. “Robert is slain, but his realm remains. And we defend her.”- Arya VI, ASOS

“This time the lightning lord did not set the blade afire, but merely laid it light on Gendry’s shoulder. “Gendry, do you swear before the eyes of gods and men to defend those who cannot defend themselves, to protect all women and children, to obey your captains, your liege lord, and your king, to fight bravely when needed and do such other tasks as are laid upon you, however hard or humble or dangerous they may be?”  – Beric knighting Gendry (Arya VII, ASOS)

Well that is definitely not the oath of an anarchist…

Yet our story is obviously filled with determined characters with a strong driving purpose. A lot of them die, and are not resurrected. Brandon Stark. Rhaegar Targaryen. Khal Drogo(we’ll come back to him). Oberyn Martell. Obviously whether you believe in a R’hllor, or just fire magic, there is something magical about Beric walking and talking and leading a band of honest outlaws. But after six resurrections, is it really just Thoros’ magic keeping him alive?

He isn’t very priestly, is he?” “No,” Gendry admitted. “Master Mott said Thoros could outdrink even King Robert. They were pease in a pod, he told me, both gluttons and sots.”

 

Well, it’s worth noting that Thoros specifically considered himself to be an unremarkable Red Priest to say the least. Originally sent to convert the Mad King Aerys, under Robert’s reign he had mostly been a drunkard and a womanizer. Thoros was more known for the mere tricks he’d pull with setting his sword on fire to spook opponents than any real magic. A trick which his buddy King Robert supposedly highly enjoyed. And at the time he resurrected Beric at the Mummers Ford, Thoros had never performed anything of the sort and was more or less out of faith entirely. Yet one day he is in the Riverlands, he watches Beric die, he says the words and performs the last kiss, and viola! The Lightning Lord rises in the light of the one true god, and Thoros’ faith is restored.

sixresurrections
well…

If this story sounds familiar, it’s because it is a pretty common one both in fiction and in real life. A person is without faith. They have themselves a near death experience or some brush with death, or are faced with some traumatic experience. They pray to god for a miracle, things turn around, and their faith is restored because they believe god answered their prayers. Regardless of your belief in the validity in these stories, they exist. So, has Martin given us one which is true? Did Thoros simply get lucky with magic? Did R’hllor really answer a prayer and raise a himself a fire champion?

 

Well there is one pretty big reason to think something else is going on here.

 

Here is our introduction to Lord Beric, the Scarecrow Knight:
“A huge firepit had been dug in the center of the earthen floor, and its flames rose swirling and crackling toward the smoke-stained ceiling. The walls were equal parts stone and soil, with huge white roots twisting through them like a thousand slow pale snakes. People were emerging from between those roots as she watched [….] In one place on the far side of the fire, the roots formed a kind of stairway up to a hollow in the earth where a man sat almost lost in the tangle of weirwood.

The voice came from the man seated amongst the weirwood roots halfway up the wall. “Six score of us set out to bring the king’s justice to your brother.” The speaker was descending the tangle of steps toward the floor. “Six score brave men and true, led by a fool in a starry cloak.” A scarecrow of a man, he wore a ragged black cloak speckled with stars and an iron breastplate dinted by a hundred battles. A thicket of red-gold hair hid most of his face, save for a bald spot above his left ear where his head had been smashed in. “More than eighty of our company are dead now, but others have taken up the swords that fell from their hands.” When he reached the floor, the outlaws moved aside to let him pass. One of his eyes was gone,” – Arya encounters Beric Dondarion for the first time – (Arya VI, ASOS)

AND I’M JUST LIKE..

Here is our introduction to Lord Bloodraven, the Last Greenseer:
“Before them a pale lord in ebon finery sat dreaming in a tangled nest of roots, a woven weirwood throne that embraced his withered limbs as a mother does a child. His body was so skeletal and his clothes so rotted that at first Bran took him for another corpse […] Where his other eye should have been, a thin white root grew from an empty socket […] The clothes he wore were rotten and faded, spotted with moss and eaten through with worms, but once they had been black.” – Bran I, ADWD

Beric is introduced to JUST LIKE BLOODRAVEN: a man in black sitting in a tangle of weirwood roots in a hollow beneath the earth, with a single missing eye. We don’t pick the significance of this because we meet Beric two books sooner than we realize just how big a deal weirwood roots are, but we need to seriously reconsider everything we are told about Beric. Has Beric really been resurrected in the light of R’hllor, or is he being reanimated by the power of the Old Gods? I’d say the latter.

It should be noted that the Last Kiss is a funeral rite and isn’t actually used by Red Priests to resurrect anyone. Thoros is a pretty liberal believer in the Lord of Light and unskilled as far as Red Priest come, while the Old Gods still have power in the Riverlands. Magic in ASOIAF typically has a price, and Thoros’ resurrections seem to completely cast aside the idea that “only death can pay for life.” But if the Old Gods are involved, then this makes more sense, since Weirwoods have been taking blood sacrifices for thousands of years (though to be fair, you could argue Red Priests sacrifice to the flames as well, which could also be collective sacrifice). Yet the Brotherhood without Banners is operating from from a Hollow Hill, far closer to the Isle of Faces than it is to Valyria, or Asshai, and it’s really hard to pick out a place more Old Gods-y to introduce a character than sitting in a tangle of underground white weirwood roots. I can think of little reason otherwise to introduce Beric this way. This being an arbitrary parallel would be questionable writing, and it would be kind of pointlessly misleading right? And again, the Brotherhood seemingly often consults the visions of the Ghost of High Heart, which come through the Old Gods. The old greenseer who happens to greet Beric like so…

wait… what? why did she call him that?

Aside from being the most metal possible nickname she could think of, why did she call him the lord of corpses? And why “his Grace“? it’s not like Beric is a prince…. or a royal bastard who was legitimized by the King on his deathbed… Is the old greenseer just making a bad joke? And why does she consider him the Lord of Corpses plural? Why not simply “Corpse Lord”? How is a resurrected lord or a reanimated corpse, a Lord of Corpses?

I’d say Beric Dondarrion being called the Lord of Corpses fits about as well as Frodo being called the Lord of the Rings, and the context, paired with the fact that the Ghost of High Heart speaks in prophecy and riddles indicates that there is more going on. After all, this is the same woman that knew to be terrified of Arya, and she first squints her red greenseeing eyes at her guests, and then proceeds to call Thoros an Ember, nodding to his status as a Priest of the Red Temple, and Lem a lemon. The Ghost of High Heart also consistently associates Lem Lemoncloak with ‘death’ and ‘kisses,’ giving a nod to his likely secret identity as the missing Ser Richard Lonmouth, the Knight of Skulls Kisses, who’s sigil looks like this.

NOTE: Richard Lonmouth being with the Brotherhood is no small thing. Richard Lonmouth was one of Rhaegar’s closest supporters, and he likely knows what happened with Rhaegar and Lyanna. This carries MAJOR implications for the Brotherhood Without Banners supposed Bannerlessness in the coming conflict.

Since the Ghost of High Heart’s speech is established as containing double meanings and seeing through false identities, this leaves us to question, was the Ghost of High Heart looking through Beric and talking to Bloodraven?

Hold on a second and keep an open mind before you accuse me of pointless overthinking a cool nickname. Here is what comes next in that conversation.

“An ill-omened name. I have asked you not to use it.”  – Beric to TGOHH (Arya VIII, ASOS)

The Greenseer supposedly calls him this on a regular basis, and Beric apparently does not like being called the Lord of Corpses. Though he can’t remember much anymore, clearly Beric is walking around believing that he is Beric Dondarrion. But is he really? Is Beric’s soul really in there? Do souls exist? Is it really just consciousness? How many memories of Beric does this Scarecrow Knight need to really be considered Beric Dondarrion? How much of his personality? If part of Bloodraven’s consciousness were animating the scarecrow knight’s body, would that consciousness be aware of it? I mean, Bloodraven is pretty far away, yet through the power of the weirwoods he seems to have his eyes on hundreds of things at once, and he has a tendency to seemingly control ravens by the conspiracy. If he’s spread so thin, does he even have the capacity to fully overwhelm Beric and take full control? Think of Arya’s wolf dreams. When Arya wargs Nymeria in her dreams does she really realize that she is Arya controlling a direwolf or is she simply the Night Wolf? Who or what is the man leading the Brotherhood without Banners? Is it a Corpse Lord, or is it The Lord of Corpses?

Well, I think it’s both.

Note: Arya (in part thanks to Syrio Forel) also seemingly has an impressive ability to “see”, and that she keeps thinking of Beric as a scarecrow seems to reassert to his hollowness.

This could easily turn into a pretty esoteric train of thought about identity. But it’s worth noting that body without consciousness, ghost without body, and identity without memory, are all themes that Martin is working with in ASOIAF, and has written about in his other works.

hellodarknessberic2

Still, the main point here is that although the Scarecrow Knight believes himself to be Beric Dondarion, he is clearly a bit hollow and isn’t all there. Beric’s personality, his quirks and memories, his capacity to experience love and joy, all those are pretty much gone. Yes, the purpose that drives him is the one Beric died for, yet when the man who believed in that purpose died, who was it that decided the fire of that purpose should continue? Thoros? R’hllor? or Bloodraven? Aside from the “fire” of inner purpose, Beric is likely being animated by Bloodraven. Perhaps Thoros’ magic kiss provides the spark. But it’s the magic Old Gods what truly animates the scarecrow knight.

“fff0kFjHduWhksf… bUT BLUDRAVIN = TREE = iCe, BERIC = FIRE MAGIK 1s SONG 0F FIrE + ICE STOP CONNEKTING EVRYTHING TO 3EYES RAVIN” – someone

Never.

But really the connections make themselves. Not only are the connections between two rotting one eyed men tangled in weirwood pretty unambiguous, but Bloodraven is hinted in Melisandre’s POV to have some capacity to see through fire magic.

Ladystoneheartcrown
HMM. I WONDER WHAT SHE’S GONNA DO WITH ROBB’S CROWN???

Since Beric is the one who mysteriously decides to give his life to revive Catelyn, pretty much everything we just covered with Beric seems equally applicable to Catelyn. And “R’hllor” is seemingly irrelevant to Lady Stoneheart as well. She also leads the Brotherhood from the same Hollow Hill, and neither worships the Lord of Light, nor does she sacrifice the “guilty” to flames, but rather she hangs them from trees. It should also be noted that Mother Merciless sends Brienne to get Jaime, who is somehow able to find him despite Jaime being on the move, soon after he leaves Raventree Hall.

Perhaps the reason that Lady Stoneheart does not get a POV is that it’s not necessaily Catelyn’s soul which is carrying on Catelyn’s purpose. Lady Stoneheart has Catelyn’s memory, and she clearly carries on the vengeance of Catelyn’s final thoughts. That said, I do think there is something a little more than just blind fury and vengeance going on with Lady Stoneheart. I suspect that there is also a greater purpose of carrying out Robb’s will, hence why she has acquired Robb’s crown. But I’ll get to that. Still, is it truly Catelyn’s soul that animates her? maybe not entirely. And yes, males can warg females, even if you think it’s icky, it’s in the story already. Tiresias Varamyr literally wargs a female wolf while it’s being mounted.

But I’d like to move on and talk about Coldhands.

 

The Wizard’s Imaginary Friend

coldhands_by_elleneth-d60dz86
artword by Elleneth

I could always be wrong (about anything), but I’m confident Coldhands is actually one of the Raven’s Teeth. I know a lot of people have theories he is the Night’s King, or Bran the Builder, or the Last Hero, and I know many are still clinging to him being Benjen. But I think him being one of the Raven’s Teeth is the most likely and supported theory, while also being super heart breaking.

Coldhands is pretty confusing. The lack of glowing blue eyes tells us that he isn’t the same type of wight as the ones raised by the Others. Also he literally fights against the starry blue-eyed wights. Yet despite walking and talking, unlike the Scarecrow Knight or the Hangwoman,  Coldhands’ body, seems to actually be dead, and it seems his heart doesn’t beat nor does he breath.

A friend. Dreamer, wizard, call him what you will. The last greenseer.” The longhall’s wooden door banged open. Outside, the night wind howled, bleak and black. The trees were full of ravens, screaming. Coldhands did not move.

 

Apparently unlike the wights raised by the Others, Coldhands claims he cannot cross the Wall, and though he seemingly displays an aversion to fire, he mentally resembles those resurrected by fire more than those raised by the Others. Just as George says of his characters who have died and risen, Coldhands, like Beric and Lady Stoneheart, seemingly lives for a single purpose, and that purpose seems to be loyalty to his lord and friend, Brynden Rivers. Though the method of his resurrection are a bit of a mystery, (perhaps fire resurrection cannot happen North of the Wall) Coldhands, like Beric and Stoneheart, is seemingly being animated by the magic of the Old Gods.

What’s so sad about Coldhands, is that if he is like Beric, he is being animated by the Bloodraven. Afterall, he is likely one of the Raven’s Teeth that volunteered to go to the Wall with Brynden Rivers, and given that he is dead but not raised by the Others, it’s possible that like Jeor Mormont, and like Jon Snow, perhaps Brynden River’s disappearance was actually a result of a mutiny against the totalitarian magic practicing Lord Commander. Did Coldhands die protecting his friend and Lord Commander? This would certainly explain his loyalty, and it would explain why he went out of his way to kill the mutineers at Craster’s keep. The singular purpose for which Coldhands moves is his loyalty and duty to Bloodraven. This means that Brynden Rivers is using the body and memories of Coldhands to animate his own last living friend.

hellodarknessbrynden

Coldhands is sort of an imaginary friend…

People often recognize resurrected characters for their memory loss, or their brutality, or their disfigurement (which surely are there), assuming “Jon won’t be anything like that.” But I think this misses the forest for the trees. Beric led and helped found an insurgency which was able to survive and fight a guerilla campaign against several established Houses and defend the weak. This is as impressive as being a lord, if not even more so. The Scarecrow Knight, Lady Stoneheart, and Coldhands, are exactly as capable as they need to be to fulfill their purpose. Nothing less, and nothing more. No love, no laughter, no joy, no rest. I believe it’s no accident that these three characters are actually more like machines than people. There is a point to all of this resurrection beyond “cuz fantasy,” or beyond giving some characters magic powers, and certainly beyond scaring readers into thinking a character died so that they can rise up again triumphantly. By having his resurrected characters live for a single purpose, George is making a commentary on how society, particularly in war, dehumanizes individuals by reducing them to their utilitarian fuctions, be is social, political, or military. Coldhands, Beric, and Lady Stoneheart, have been reduced to a single function. They have been turned into tools of war. Yes it’s a purpose they themselves believed in, but that purpose has become all that is left of them.

burning skeleton
A sword day… a red day… ere the sun rises! Ride now!… Ride now!.. Ride! Ride to ruin, and the world’s ending! Death! Death! DEATH!

Here we have threemoving corpses which do not have the starry blue eyes of the wights raised by the Others, but all seem to follow Martin’s credo on his own resurrected characters. The three each “live” to serve a singular function. Three moving corpses who all seem to exist for one purpose and nothing else. Justice, Vengeance, and Loyalty. And all three are animated by the Lord of Corpses.

 

Living the Dream

Hopefully you’re on board with the connection between Bloodraven, and the walking corpses of the Scarecrow Knight, Lady Stoneheart, and Coldhands. But you may be wondering why I believe that part of Bloodraven’s consciousness is animating them, rather than simply watching over them, or influencing them, or using tree magic to keep them running.

Well, let’s look at the first thing Bloodraven says (in person) to Bran:

I have been many things, Bran. Now I am as you see me, and now you will understand why I could not come to you … except in dreams. I have watched you for a long time, watched you with a thousand eyes and one. I saw your birth, and that of your lord father before you. I saw your first step, heard your first word, was part of your first dream. I was watching when you fell. And now you are come to me at last, Brandon Stark, though the hour is late.”- Bloodraven (Bran II, ADWD)

Three-Eyed Ravenː I have been many things. Now, I am what you see. – S4Ep10

Keep in mind that this exchange is significant enough that although it was shortened for the show, I have been many things,” was preserved word for word, and when Bran reaches the cave, these are the very first words uttered by the Three Eyed Raven. These words matter, and I believe they go beyond having had many titles, or having been many trees and ravens simultaneously. Lord Brynden has been many many things indeed. But this quote isn’t my only reason for thinking this way.

Let’s shift gears for a moment.

Question:
Who pulled Catelyn’s body from the river?

Towards the end of ASOS, the night that Nymeria pulls Catelyn from the river, Arya goes to sleep thinking of her mother, and then in her dreams she enters Nymeria, and without rationalizing it, Nymeria is inclined towards carrying out Arya’s desire. So, even though Arya’s consciousness was inhabiting Nymeria, was that truly Arya? or was it Nymeria? Because the show doesn’t display internal monologues, it’s often looked over that the POVs change dramatically while they’re warging. It’s not a matter of simply “oh hey cool, I’m me in a wolf’s body now, time to keep living my life but on four legs for a bit…” The skinchanger loses their immediate sense of self as they blend with their beast, and their thoughts truly resemble that of someone dreaming they are something else.

And we’ve all had those dreams right? dreams where we were someone else?

So we have to ask ourselves what and who Arya really is when she wargs into Nymeria (don’t worry she isn’t Bloodraven). She is a wolf, she behaves with the instincts of a wolf, makes the insights of a wolf, yet doesn’t really remember herself to be Arya or truly recall memories of being Arya. She’s simply a wolf. Let’s call her NymArya™. Her pack is Nymeria’s pack, and her brothers and sisters are Nymeria’s brothers and sisters (though she does not identify them by the names given by the Stark children), and unless she brings with her a very strong desire to accomplish something specific, she will just live out what Nymeria was doing. Yet when she wakes Arya remembers everything she experienced as Nymeria as if it was a dream. Later while blinded, Arya later skinchanges a cat, but even then she is barely aware of it while it’s happening.

The same can be said for Bran when he is learning to warg. At the beginning of ASOS, while Jojen is training Bran to use his warging abilies, Jojen not only warns Bran not to spend too much time in Summer lest he lose himself, but Jojen also tries to get Bran to bend Summer to his will through the simple exercise of trying to get Bran to remember to mark a tree. Yet even that is difficult, as his vague recollection of needing to complete a mundane task is overpowered by his new animal self. Bran does not really remember that he is Bran till he comes back. Bran is perhaps more aware of himself when he wargs Hodor, but even in his later chapters there is little to no self awareness while skinchanging animals, and most understanding comes after the fact.

teenage direwolf

Even a truly seasoned skinchanger like Varamyr thinks of himself inside his wolf as “warg”, and is never referred to as Varamyr, and does not really recall memories of his identity, nor does he think about Haggon’s skinchanger’s code which fills his waking thoughts as a man. Like Arya and Bran, Varamyr does not truly understand or rationalize his actions until he comes back. The most Varamyr seems to remember is when he recalls that he had just attempted to seize Thistle’s body.

Aside from simple subservient Hodor, there is a pattern with skinchanging:

If through the power of the weirwoods Bloodraven’s consciousness were simultaneously animating a conspiracy of a hundred ravens, and Coldhands, and hundreds of miles away Beric, and later Lady Stoneheart… what would that be like for each individual POV? The Scarecrow Knight wouldn’t remember being Bloodraven, nor understand himself as Brynden Rivers any more than NymArya understands herself as Arya. But Bloodraven would understand and recall animating Beric like he were remembering a dream he cannot really control. Just a dream he knows to be real. The same way he remembers having been several hundred different ravens, or wolves, or Coldhands. The fact that skinchanging merges two minds should radically shift the way we understand identity, because it fundamentally changes identity.

 

Does this mean fire resurrection is fake? what happens when fire resurrection is not supplemented by an animator? what would have become of Beric without Bloodraven? Doesn’t death pay for life? Well yes… and that’s what happened to Khal Drogo.

The man’s face grew strange. “Once, at the Citadel, I came into an empty room and saw an empty chair. Yet I knew a woman had been there, only a moment before. The cushion was dented where she’d sat, the cloth was still warm, and her scent lingered in the air. If we leave our smells behind us when we leave a room, surely something of our souls must remain when we leave this life?” Qyburn spread his hands. “The archmaesters did not like my thinking, though. Well, Marwyn did, but he was the only one.” – Qyburn (Jaime VI, ASOS)

 

Given that Marwyn is well versed in magic, having been to Asshai, and is actually the man who trained Mirri Maz Durr, it’s likely that this quote from Qyburn is significant. The characters who are resurrected are not empty shells, but rather they contain some part of themselves. Some part of their memories,

 

The Army of the Dead

Yet when we look at the characteristics of those who have been resurrected; singularly purpose driven, missing memories, etc. There are actually several characters that come to mind. I don’t think all of these characters are actually resurrected, but I’m going to run through them real quick with my vague thoughts. Feel free to skip this section, because it’s a little besides the point.


Who else has died and been resurrected?

Robert Strong – Big spoiler right?  The bigger question is whether he has a head, or who’s head is on Gregor’s shoulders. Tywin? Joffrey? Robb Stark? a random dwarf head? Qyburn’s seemingly animates UnGregor by some Frankenstein inspired method.

Khal Drogo – Probably. I believe Khal Drogo was at least unnaturally kept alive. I suspect his memories were all there, and some small part of his soul. And though he had a sense of purpose before, without any magic or consciousness to animate him he was totally blank. Though in the books he can actually walk and eat.

Melisandre – Maybe. This one’s interesting. Mel is definitely unnaturally old, and is likely kept alive by some sort of magic. Like Beric and LSH she’s totally purpose driven, she has black blood, doesn’t really sleep, doesn’t really eat, and she also has suppressed memories of being a child named Melony. But I don’t see who or what would be animating her. Bloodraven? I mean she does seem to get stronger at the Wall. But it’s unclear that she’s ever suffered a death. Also she never mentions knowledge of resurrection.

Moqorro – No. I think the Moqorro that turns up on Victarion’s ship is an imposter, and he is actually one of Euron’s captured warlocks.

Patchface – Yes. Something is obviously up with Patchface, and clearly he should have died at Shipbreaker Bay, and his survival is nothing short of a miracle. Once a witty young lad, Patchface like other resurrections has been reduced to a singular function (which for him is to be a fool). I suspect Patchface is being animated by something. Hence his weird and cryptic dialogue.

Hodor – Probably not. Hodor can cross the Wall, though he wasn’t being warged at the time. Something happened to Hodor which broke his mind.

Jojen Reed – Not likely. He suffered a near death experience, is very purpose driven, and incredibly mature for his age. But, I don’t think he is being animated, as he suffers seizures, indicating his mind is being infiltrated. It’s also never implied that he ever actually died.

Mance Rayder – No. He’s purpose driven, his name is suspicious, and a Woods Witch helped hims survive a near death experience, but he is seemingly having way too much fun, and there’s no evidence of memory loss. Also his driving purpose isn’t the one he supposedly died for, and he has no fertility issues.

Davos – Nope, I really don’t think he died or was resurrected. I think he’s just dedicated. He’s always been dedicated. His POVs don’t really change.

Aeron Greyjoy – Not sure. He had a near death experience and spiritual awakening leading to a transformation of personality but it’s not a focused purpose but a changed purpose, and it’s not clear there was any miracle. His memories are oddly cryptic though. Aeron may just be very religious.

Daenerys Targaryen – Believe it or not, this is a theory. This one is tough because Daenerys is such a consequential character. Was she just figuratively reborn or was she literally reborn? Well Dany is very purpose driven without but she still has insecurity and doubt. She is not totally reduced to her purpose. She does have odd memories, and she survived the flames in what can only be seen as magic or a miracle. Also she likely survived poisoning, doesn’t sleep normally, and seemingly cannot birth a living child. If Daenerys did die in childbirth or in the funeral pyre, then she was likely resuscitated pretty quickly, which isn’t unusual in real lie. To me the whole thing is more like Bran’s coma than death, but who knows. This could mostly be symbolic. Though the idea of Daenerys being animated by something is rather fun to think about. Quaithe seems to be watching over Daenerys, and probably has been for a long time…

Note: If you think this is all too weird, then I understand. Just keep an open mind.

Now this list doesn’t really give us a lot of conclusions, but it’s possible that there is a difference between those that die momentarily (which happens in real life), or are preserved unnaturally, and those who suffer mortal wounds and actually die for hours or days and then are brought back.


 

Now, there’s one more point I need to make before moving onto part III.

 

Lord Commander: Into Darkness

raven-crypt1

Though there is a bit of an age gap between the two, there is actually a crucial parallel between the Lord Commanders Jon Snow and Jaime Lannister. Though they join their brotherhood for different reasons, both Jon in black and Jaime in white once had similarly idealized views about heroism which are challenged by the reality of the order that they serve. Yet in ADWD, both Jon and Jaime arise as important men who are able to serve significant political functions in a time of war. In the absence of Robb, Northerners look to Jon as if he were a true Stark, and Jaime is able to lift the siege of Riverrun and settle disputes wielding clout as a Kingsguard and a Lannister. There are definitely big differences too, (Jaime had abandoned honor for a long time) but both are driven to do what is morally right to them rather than what is conventionally considered moral. And both are bound by their vows till death, and for Jon his pursuit of doing what he sees as “right” has led him to death, while for Jaime it is currently leading him straight to the Hangwoman.

And both Jon and Jaime have the same dream.

I wrote in part 1 about how Jon as early as AGOT, mentions that he has a reoccurring nightmare about having to go down into the crypts. He knows he is not a Stark, but he has to go anyways. Without a light. Alone into terrifying darkness, where something awaits him. Take not that in his waking life Jon is actually not scared of the Crypts, and even plays in them. Yet in this dream, Winterfell is lifeless and filled with bones. Theorists have optimistically interpreted this dream as being about how a harp, or marriage cloak, or Rhaegar’s Armor, or Blackfyre, or a dragon egg, or a pet ice dragon, or some other key to proving Jon’s parentage.

Unfortunately it’s none of those things. This dream is about death.

In Jaime VI, ASOS, Jaime Lannister has the same dream, and it pushes Jaime’s paradigm shift away from Cersei and family, and towards Brienne and chivalry. Now since he has this dream when he sleeps on a weirwood stump in the moonlight, it could be that more than one entity is acting on his mind. Anyways, that night Jaime dreams he is naked and has two hands (indicating the dream is figurative), yet he too must descend swordless into the darkness of the crypts beneath Casterly Rock. Like Jon and the Kings of Winter, he hears the voices of Lannisters past going back to the Age of Heroes, most of all his father. He sees Cersei carrying the only torch, but she walks away, leaving him alone. Jaime knows with certainty that his doom is down there, but he too must go anyways. Something in the darkness wants him.

“A cave lion? Direwolves? Some bear? Tell me, Jaime. What lives here? What lives in the darkness?

Doom.” No bear, he knew. No lion. “Only doom.” – (Jaime VI, ASOS)

NOTE: Jaime answers that it’s not a bear, nor a lion. But he doesn’t say it’s not a wolf.

hellodarknessJaime

Jon and Jaime are afraid of the same thing waiting in the darkness.

Then, Jaime and Jon both have a follow up. In both cases the continuation alleviates their fear. Sort of…

Jaime’s follow up is in the same dream. When Cersei leaves him to darkness and Jaime asks for a sword, and Tywan Lannisters reminds him of Oathkeeper, which burns in silvery blue light. Then comes Brienne to defend him, almost beautiful and more knightly than ever before, carrying her own silvery blue burning sword. Together he and Brienne face his guilt in the form of Rhaegar and his dead Kingsguard. They guilt Jaime of his past failing to protect Rhaegar’s children, pulling his thoughts away from loyalty to family, and towards chivalry and guilty obligation to the “true” Targaryen heir. The dream ends on a bit of an uncertain note. Jaime’s light goes out, and the light of Brienne’s sword is the only thing left keeping the darkness at bay, and the guilt that awaits him in the darkness. So it’s no surprise that when Jaime wakes, he goes back to save Brienne (after asking Qyburn about Ghosts).

Jon’s continuation comes earlier. In Jon VII, ACOK:

hellodarknessJon

In one of the most bizarre passages of ACOK, Jon is dreaming he is Ghost, and GhostJon turns to find a slender young Weirwood behind him with Bran’s face. This is way back when Bran is hiding in the crypts, so it’s unclear how much of this is real or a dream, or whether it’s Bran reaching out to him from the Crypts, or whether Bran has somehow figured out time-travel, or if it’s actually Bloodraven. But the BranTree™ has 3 eyes, and is fierce yet friendly, and calls the white wolf Jon. It grows rapidly and yet for some reason this young tree has the unsettling smell of death. When the smell alarms GhostJon, BranTree tells him to open his eyes and not to fear the darkness. Because BranTree likes the cloak of darkness. BranTree reaches out with it’s branches and touches the wolf, and suddenly GhostJon finds himself in another place entirely, looking over the Wildling camp. From then on Jon can warg Ghost.

The crypt dreams are not about secret parentage. They’re about death. The darkness in the crypts is death.

  • Jon’s fear of death is alleviated when BranTree opens his eyes and he learns to warg into Ghost. And yet it’s Jon’s link to Ghost that pulls him towards Winterfell, which is what brings about his death. And then it’s through Ghost that Jon “escapes.”
  • Jaime’s fear of the darkness is alleviated by the glow of Brienne’s sworn protection. Yet when we last left him, it’s Brienne who is bringing Jaime straight to Lady Stoneheart. Will Brienne somehow save Jaime from death?

Jon and Jaime are important men pulled by their dreams towards death. Yet a terror in the darkness is waiting for them, and Jaime associates it with guilt. Have we figured this one out yet?

Never fear the darkness, Bran.” The lord’s words were accompanied by a faint rustling of wood and leaf, a slight twisting of his head. “The strongest trees are rooted in the dark places of the earth. Darkness will be your cloak, your shield, your mother’s milk. Darkness will make you strong.”  – (Bran III, ADWD)

The strongest trees take root in darkness.

 

Let’s Review:

  1. Why was Thoros able to resurrect Beric Dondarrion?
    – The magic of the Old Gods. Beric’s purpose is politically advantageous.
  2. What was Coldhands?
    – One of the Raven’s Teeth. He likely died protecting Lord Commander Brynden Rivers from a mutiny.
  3. How different are Beric and Lady Stoneheart from Coldhands?
    – Mainly physically, probably due to what magic is effective on either side of the Wall. But really they are all reduced to a singular purpose and animated by the Lord of Corpses.
  4. Who is the Lord of Corpses?
    – Bloodraven
  5. What really pulled Catelyn’s body from the river?
    NymArya© When Arya wargs Nymeria she is not truly herself, nor is she simply Nymeria. Arya doesn’t have her memories, sense of identity, or human instincts. It’s a new identity resulting from two merged consciousness. A hive mind for two. This applies to skinchanging in general.
  6. Is identity something that is, or something that is performed?
    – Think about this one for the rest of your life.
  7. What are Jon and Jaime’s crypt dreams about?
    – The crypt dreams are about death. The darkness is death. Something is waiting for them in death.

 


Thank you for reading, and whether you think I’m crazy or not I really hope I’ve at least given you something to think about. And if you’re still on board, I look forward to losing you in the conclusion. Part 3 will wrap this series up, and reveal how I believe Jon’s return is going to play out, and what I believe Martin’s greater meaning behind all of this death and resurrection and transformation truly is.

 

I. Now I am become Death: Burning and Returning

Welcome.

Now I am become Death‘ is a new essay series exploring death and resurrection in A Song of Ice and Fire. We’ll be analyzing how they function as mechanics, understanding how they function thematically, and predicting how they’ll function moving forward into the endgame.

whatisdeadmaynever

Some of the ideas that I’ll be getting into here will be unpopular, might be a little unconventional, and may challenge some more well accepted theories. Hell, some of this will even tweak my own Weirwood Leviathan theory (parts VII and VIII). So I hope that you’ll remember that this is fiction, and in the end none of us (unless 1 of like 3 specific people is reading this) really know what is going to happen. I bring this up because I myself am often guilty of shutting out theories before really consider them, yet it’s possible to discuss and even entertain conflicting ideas.


 

What is Dead and What Rises Again?

It’s gonna burn for me to say this, But it’s coming from the heart. It’s been a long time coming, but Jon Snow is dead, and I’m not so sure he is really coming back.

With Season 6 on the way, everyone’s mind is on how we can get Jon Snow back to live out all of our favorite fan theory moments, and everyone is talking about resurrection. The five years of speculation since the release of ADWD has led the fanbase to a pretty solid conclusion that after spending some time in Ghost, Jon will be resurrected by Melisandre (at least on the show), or perhaps Lady Stoneheart. Yet the details and mechanisms of Jon’s return are still debated, and often times it seems that theorists are blurring the line between what is being set up by the narrative, what GRRM has said on the matter, and simply wishful thinking.

But what if Jon Snow’s death is not simply a quick way to bypass the character development of the initially planned 5 year timeskit? What if it’s not just a cheat to weasel him out of the vows he made in the first book? What if it’s not the twist that everyone and their facebook feed sees coming… What if the death and return of Jon Snow is among the biggest twists of the series? One that has been set up from the very beginning, built into the very core thematic structure of the world and the story.

In this 3 part series, I’m going to present what I feel is a strong case for why it’s more complicated than a level up.


While reading this essay, I hope you’ll keep these questions in mind:

  1. How does GRRM prefer to utilize death and resurrection in his narrative?
  2. Why did Martin choose to kill Jon Snow?
  3. Who is the Beric Dondarrion that Arya meets in A Storm of Swords?
  4. How much of yourself (personality, memories, habits) can be lost before you are someone else?
  5. What is the difference between a Wolf and a Refrigerator?

 

“Deep down you know it’s best for yourself but you,
Hate the thought of her being with someone else
But you know that it’s over,
You know that it was through
Let it burn
Let it burn
Gotta let it burn”

Usher Ahai

 

 

Martin’s Guide To Killing Wizards

GRRM2Dummies-Book
Nothin. He did it because it was right.

Now, let’s have a talk about death and resurrection. GRRM will go first.

I do think that if you’re bringing a character back, that a character has gone through death, that’s a transformative experience. Even back in those days of Wonder Man and all that, I loved the fact that he died, and although I liked the character in later years, I wasn’t so thrilled when he came back because that sort of undid the power of it. – GRRM

Whether we like it or not, Martin has been pretty clear that he prefers there be real character consequences when a character comes back from the dead. Ever the fan of comics, Martin understands the danger of destroying the suspension of disbelief around death. And like countless other things Martin has said repeatedly, but the fandom ignores, I suggest we start accepting that the forefront of Martin’s work is going to apply what he believes in.

Much as I admire Tolkien, I once again always felt like Gandalf should have stayed dead. That was such an incredible sequence in Fellowship of the Ring when he faces the Balrog on the Khazad-dûm and he falls into the gulf, and his last words are, “Fly, you fools.”

What power that had, how that grabbed me. And then he comes back as Gandalf the White, and if anything he’s sort of improved. I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead.” – GRRM

When Martin talks about the return of Gandalf the Grey as Gandalf the White, he is unambiguous about what it is specifically about resurrection he doesn’t approve of, and very clear about how he prefers to have it work.

Here is what Martin is NOT saying:

  1. That it bothered him because the mechanism for resurrection was not sufficiently established.
  2. That it bothered him because no other character, animal, or small child was sacrificed to bring Gandalf back.
  3. That it bothered him because fire was involved in his death, and fire has to deteriorate identity.
  4. That it bothered him because there was no loophole set up for a comparatively more perfect resurrection. For example, that he would have considered it better writing if Gandalf had hidden his mind inside Shadowfax.
  5. That it bothered him because Gandalf didn’t have a secret parentage he needed to discover, or because he thought Gandalf’s purpose was somehow complete.

Here is what Martin is saying:

  1. It bothered him because dying and coming back to life didn’t really have consequences to who Gandalf was. It mainly just made him more effective.
  2. It bothered him because Gandalf’s death made things more difficult and Gandalf’s return softened that challenge without sufficient negative consequence.

NOTE: Whether you agree with Martin’s philosophy on how death and resurrection in fiction, looking at Martin’s beliefs is likely the most effective way to understand what he is doing. Maybe you prefer the Tolkein style resurrection or the Dragon Ball Z laws of death, and that is fine. But we can’t really expect Martin’s work to play out contrary to his own beliefs.

My characters who come back from death are worse for wear. In some ways, they’re not even the same characters anymore. The body may be moving, but some aspect of the spirit is changed or transformed, and they’ve lost something. – GRRM

He isn’t just talking a big game. If we apply this to our story, Martin has pulled no punches in practicing what he is preaching.

 

Sending Snow Wight to Sleep

“Jon fell to his knees. He found the dagger’s hilt and wrenched it free. In the cold night air the wound was smoking. “Ghost,” he whispered. Pain washed over him. Stick them with the pointy end.

When the third dagger took him between the shoulder blades, he gave a grunt and fell face-first into the snow. He never felt the fourth knife. Only the cold…”– Jon XIII, ADWD

Bearing all that in mind, we have to ask ourselves.

Why did George kill Jon? Even a casual look at the story would indicate that Jon’s death wasn’t something GRRM came up with last minute to fast track Jon Snow’s character development. Rather, he seems to have had it planned very early on. Maybe not as early as the pitch letter, but seemingly as early as the first book.

jonsnowdead
Why’d ya do it George?!

Here is Jon’s reoccurring crypt dream:
“No one. The castle is always empty.” He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. “Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It’s black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don’t want to. I’m afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it’s not them I’m afraid of. I scream that I’m not a Stark, that this isn’t my place, but it’s no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream.” He stopped, frowning, embarrassed. “That’s when I always wake.” – Jon IV, AGOT

hmm.. what is it deep in the darkness that Jon is afraid of? We’ll get to that, but I really don’t think it’s a harp or his own trusty pet dragon…

and here is Bran’s Three Eyed Crow coma dream:
Finally he looked north. He saw the Wall shining like blue crystal, and his bastard brother Jon sleeping alone in a cold bed, his skin growing pale and hard as the memory of all warmth fled from him. – Bran III, AGOT

George could have come up with other ways to free Jon from his vows, or have him fulfill the wording of a prophecy, or he could have had Jon decide that the best way to stop the Others was to accept Stannis’ offer and take Winterfell. If GRRM believes that death should be a transformative process, then he must have killed Jon to transform him.

But everything is transformation. Losing home like Arya or losing loved ones like Cersei is transformative. For Tyrion, being betrayed was transformative. For Theon, torture and dismemberment was transformative. For Sam, falling in love was transformative. Jon Connington’s illness and Jaime’s injury were transformative. Aging transforms, motherhood, fatherhood, war, warging, and so much more transform. Why choose death specifically? What was the change Jon needed to undergo that he needed to die for?

For us to understand, let’s look at how Martin writes the dead.

 

Burning Man Returning Man

“I’ve tried to set it up beforehand with Beric Dondarrion and his repeated [resurrections]. There’s a brief appearance by Beric in Book One and he rides into the city and he’s this flamboyant Southern knight. That’s not that man we meet later on.” – GRRMS

bericrecast
SEE CUZ THEY RECAST HIM! LOLOLOL

When we look at Beric Dondarrion, AKA the Lightning Lord, AKA the Lord of Corpses, AKA the Scarecrow Knight, and (presumably) our first character ‘resurrected in the light of the one true god,’ we get a very good sense for what has become of him. Five resurrections have turned what was once a “flamboyant southern knight” into something else entirely. He’s not really the same man. Beric Dondarrion is dead inside

But how far does this go? Clearly Beric is a changed man. But on a conceptual level, how much does a man need to change before he is not the same man?

Can I dwell on what I scarce remember? I held a castle on the Marches once, and there was a woman I was pledged to marry, but I could not find that castle today, nor tell you the color of that woman’s hair. Who knighted me, old friend? What were my favorite foods? It all fades. Sometimes I think I was born on the bloody grass in that grove of ash, with the taste of fire in my mouth and a hole in my chest. Are you my mother, Thoros?” – Beric (Arya VII, ASOS  )

Here we can see that Beric scarcely even remembers anything about who he was. His memories of being the man he once was are vague, and a lot of his idea of who he is has been told to him by others who remember. Now this is nothing new, and fans have rationalized this as being a result of six resurrections, so we assume this is nothing Jon really has to worry about. So Jon’s change will be watered down.

But for now, let’s just keep this in mind and ask ourselves: How much of ourselves are we without our memories? What ties a person together if not personality and memory?

He was sent on a mission to do something, and it’s like, that’s what he’s clinging to. He’s forgetting other things, he’s forgetting who he is, or where he lived. He’s forgotten the woman who he was once supposed to marry. Bits of his humanity are lost every time he comes back from death; he remembers that mission. His flesh is falling away from him, but this one thing, this purpose that he had is part of what’s animating him and bringing him back to death. I think you see echoes of that with some of the other characters who have come back from death. – GRRM

People say I was influenced by Robert Frost’s poem, and of course I was, I mean… Fire is love, fire is passion, fire is sexual ardor and all of these things. Ice is betrayal, ice is revenge, ice is… you know, that kind of cold inhumanity and all that stuff is being played out in the books. – GRRM

Again, what Martin tells us proves completely true. Beric has been resurrected by fire, and that resurrection has reduced him down to a single purpose. A singular desire that drives him. Which calls back to what Martin has said about “ice” and “fire.” Martin is referencing the Robert Frost poem ‘Fire and Ice’, which associates fire as desire, and ice as hate. Beric is resurrected through fire, and in a(n at least symbolic) sense, the fire Thoros is using to resurrect Beric comes from inside him. The fire of his own inner purpose. His mission. His desire.

But is that all that holds Beric’s identity together? Is a purpose a person? Is Azor Ahai a person?

 

Lady Stoneheart is not Catelyn,”- GRRM

 

Which brings us to Lady Stoneheart. AKA Mother Merciless. AKA The Hangwoman. Or as Martin calls her; Not Catelyn. Though Beric is resurrected 6 times by Thoros, his 7th and final death occurs when he transfers his life over to Lady Catelyn, who spends 3 days dead in a river before being pulled from a river by Nymeria, kissed by Beric, and making a Christ-like return from the dead.

Catelyn_Stoneheart
Catelyn and the Catelyn who’s Not-Catelyn

“The flesh had gone pudding soft in the water and turned the color of curdled milk. Half her hair was gone and the rest had turned as white and brittle as a crone’s. Beneath her ravaged scalp, her face was shredded skin and black blood where she had raked herself with her nails. But [Lady Stoneheart’s] eyes were the most terrible thing. Her eyes saw him, and they hated.” – Epilogue, ASOS

And already, after a single death Lady Stoneheart is seemingly less her original self than even Beric Dondarrion was his original self after 6. Lady Stoneheart looks practically corpse-like, and she cannot even speak without covering the wound in her mouth. And like the Lord of Corpses, Lady Stoneheart is driven by a singular purpose. Yet the fire association to the ‘Fire and Ice’ poem isn’t as clear cut here. Yes she is seemingly reborn by fire, and she is driven by a desire. But it’s a desire for vengeance, driven by hatred, which are by Robert Frost and Martin associated with Ice. A desire to take cold revenge on those who betrayed and killed her and her family at the Red Wedding. A hatred that extends to even Lannisters and Freys and Boltons who had nothing to do with the Red Wedding. So it seems that the fire and ice association with the Robert Frost poem isn’t so clear cut. The common denominator is purpose. Beric and Catelyn are resurrected and animated by the same power, and thus are driven for a singular purpose.

burning skeleton
A sword day… a red day… ere the sun rises! Ride now!… Ride now!… Ride! Ride to ruin, and the world’s ending! Death! Death! DEATH!!!

Another thing to take note about Lady Stoneheart which could be nothing, but could also be hugely significant, is that Catelyn’s POV chapters are discontinued when she dies. The Red Wedding serves as the end of Catelyn’s story, and Lady Stoneheart has no POVs. Which should make us seriously question whether a resurrected Jon would follow suit. We don’t know that Martin will do the same with Jon as he does with Cat, but we should be seriously considering it a lot more than we actually are as a fandom.

Now there is also this super out there theory that Robb accidentally attempted to skinchange Catelyn at the moment of death, and whether such an attempt was successful at all is doubtful, but we’ll come back to that…

That said, now that I’ve realized his three-fold revelation strategy, I see it in play almost every time. The first, subtle hint for the really astute readers, followed later by the more blatant hint for the less attentive, followed by just spelling it out for everyone else. It’s a brilliant strategy, and highly effective. – Ann Groel, GRRM’s editor

Yet, applying GRRM’s three-fold revelation strategy to the Scarecrow Knight, Lady Stoneheart, and next to Snow Wight, tends to quite often fall to the same oddly optimistic assumption. That of the three, Jon’s transformation will be inconsequential, or the least consequential of the three. Because Jon will be preserved inside Ghost.

But I’m not so sure. Maybe he will… But I can’t help but feel that the driving force behind this assumption is that the fandom is constructing their beliefs around wishful thinking. People want and thus expect, for Jon to come back new and improved, but really the same old Jon. Just more effective at his task, with a few little memory lapses. More or less to get the Gandalf the White treatment. But our author didn’t really like Gandalf the White.

 

The Difference between Wolves and Refrigerators

“Fire consumes, but cold preserves.” – Maester Aemon (Samwell III, AFFC)

The above quote from the feverish and dying maester Aemon is hugely significant. And it comes to us amidst a bunch of what is likely highly significant and seemingly under analyzed dialogue about dragon dreams killing you, half-remembered prophecy, Jon, The Prince That Was Promised, and wonders and terrors. Yet I find that this quote is pretty consistently interpreted half rationally and half through what I consider “optimism goggles.”

alwayscomesback
EVERYTHING IS FINE EVERYTHING IS GONNA BE OKAY

 

Now, the idea that this quote on fire consuming and cold preserving is intended to make us think about resurrection, is pretty likely, as it echoes an ominous thing Beric Dondarrion specifically said about resurrection.

“Fire consumes.” Lord Beric stood behind them, and there was something in his voice that silenced Thoros at once. “It consumes, and when it is done there is nothing left. Nothing.” – 6 time resurrected Beric Dondarrion (Arya VIII, ASOS)

Here Beric ‘Let it Burn‘ Dondarrion, tells us that fire (or, desire) consumes. And yes, he is specifically talking about resurrection. Right here GRRM sets us up to read Maester Aemon’s ‘Fire consumes’ as being a reference to resurrection. When Beric tells us that fire consumes, he is telling us that resurrection and purpose consume his identity. It consumes his memories and personality. The fire which keeps him alive has a price, and that price is the burning away of who he was.

So when we juxtapose fire against ice, we are being told by the dying maester that cold may not have the same consequence as fire, but rather that it preserves something Beric is losing. Subsequently, fans have largely come to the conclusion that “cold preserves “… means warging into a wolf preserves.

wait… what?

Where are we getting that exactly? Yes, since the coming of the Andals the magic of the Old Gods and skinchangers now mostly reside up north, but sometimes it seems that fan insistence on compartmentalizing every character or every type of magic into either a fire box or an ice box is a crutch which distracts us from what’s actually happening.

wolfvsfridge
there is a difference.

For example, the magic of the Others obviously revolves around ice, but there is no cold or ice association with greensight, warging, and the Children of the Forest. In fact, Bloodraven is half Targaryen, and Raventree Hall and the Isle of Faces are in the Riverlands. So, why is it that we’ve decided that “cold = warging”? and more importantly, where are we getting that warging preserves?

In fact, everything about the Varamyr chapter tells us that the second life inside of a wolf specifically doesn’t preserve. The warg gradually loses themselves to the wolf.

“They say you forget.” Haggon had told him, a few weeks before his own death. “When the man’s flesh dies, his spirit lives on inside the beast, but every day his memory fades, and the beast becomes a little less a warg, a little more a wolf, until nothing of the man is left and only the beast remains.” – (Prologue, AWDW)

In ASOS, Jojen warns Bran against spending too much time inside Summer. This conversation is so important it was put into the show in Season 4 episode 2, an episode written by GRRM.

Jojen: Summer was eating. You’re body can’t live on the food your wolf consumes. Spending too much time in Summer’s skin is dangerous. You’re not a direwolf Bran. It must be glorious though. To run. To leap. To hunt. To be whole. I know it’s tempting, but if you’re trapped in Summer for too long, you’d forget what it was to be human.

Meera: You’d forget us Bran. You’d forget your mother and father, you’d forget your brothers and sisters, you’d forget Winterfell. You’d forget you. And if we lose you, we lose everything.

– S4Ep2, written by GRRM

Keep in mind, if you think this was put in the show for Jon, keep in mind the show has seemingly left out Jon’s ability to warg.

Yet, this realization is always followed up by the same optimistic assumption.

That Jon will not truly lose himself inside of Ghost because he will be resurrected in time to come back comparatively unchanged, and somehow at the exact moment of resurrection he will jump out of Ghost and back into his old body. Or that in some elaborate ritual Ghost will be sacrificed, and Melisandre or Lady Stoneheart will perform the Last Kiss, forcing Jon back so he can kill some zombies.

All of that is plausible and may very well be true, and I’ll get to that… but it seems that in the rush to think of ways for Jon to be fine, or remember more of himself than Beric and Catelyn do, people have been ignoring the rampant misreadings of the line “cold preserves.” Even if this change is less severe than the change upon Beric and Catelyn, Jon still isn’t being preserved. Thus “cold preserves” is probably not about warging at all.

So what is it about?

Well, there is one obvious answer that is potentially uncomfortable to think about.

 

 

The North Really Really Remembers

karsiwight

Wights. And I don’t mean Coldhands, (but we’ll get to him). I mean the wights being raised by the cold magic of the Others. If those raised by fire have their memories consumed, then those raised by ice may have their memories preserved. Even though they are dead, and even though they seemingly don’t breath (like Coldhands). Wights seemingly have no free will, and perhaps no life. Yet somehow, they seem to have memory. And yes, there is evidence.

“You’d best pray it’s a wildling blade that kills me, though. The ones the Others kill don’t stay dead … and they remember.” – Alliser Thorne (Jon VI, ADWD)

In a very suspicious sequence of events, the corpse of Othor (who was on the ranging party with the missing Benjen Stark) is found by Ghost in the Weirwood Grove when Jon takes his vows. Othor and his comrade Jafer Flowers’ dead bodies are then brought south of the Wall to Castle Black. Given that Jafer was struck by Othor’s axe, it seems at least one of them might have already been raised as wights prior to being found dormant again, implying a more calculated plot. Later that night Jon, (who is confined to quarters and being guarded) mysteriously blacks out while staring at a flickering candle and awakens to find the guard has been killed, and that the wighted Othor is making his way to assassinate Jeor Mormont. Jon is led to the wight by Ghost just in time to save the Lord Commander, and while Ghost mostly combats the wight, he is instructed to kill it with fire by Mormont’s raven.
“The flame flickered and almost died. “Burn!” the raven cawed. “Burn, burn, burn!”

… Jon plunged his hand into the flames, grabbed a fistful of the burning drapes, and whipped them at the dead man. Let it burn, he prayed as the cloth smothered the corpse, gods, please, please, let it burn.” – Jon VII, AGOT

 

UsherAzorAhai
Gotta let it burn

Odd huh? Not only how Jon was set up by Ghost and the Raven to save Mormont… But also how as a wight, Othor seemingly remembered exactly where the Lord Commander’s chambers were… And if we are supposed to believe that the Wall blocks the power of the Others or the reanimation of Wights (Coldhands claims he cannot cross the Wall), then why was Othor able to reanimate, presumably for a second time, on the south side of the wall?

Then in the ADWD prologue, after a failed body snatching attempt on Thistle, and a transcendental near death experience, Varamyr takes refuge in his wolf One Eye. As One Eye he regrets both what he attempted to do to Thistle, but also he regrets not succeeding. Yet when he encounters her, it’s implied that Varamyr gets the vague indication that the newly wighted Thistle actually recognizes him. Of course, this could just be paranoia and guilt on his part, but when we combine this with the words of Maester Aemon, and Othor’s knowing his way around Castle Black and specifically seeking out Lord Commander Mormont (this also calls into question the notion that the Wall blocks the power of the Others, as Othor reanimates as a wight on the southern side of the Wall), we have to seriously consider that wights are not simply empty shells being animated by the necromancy of the Others. That perhaps there is something actually present in those shells. Something preserved which is also being animated. Something which remembers.

“And in the pits where her eyes had been, a pale blue light was flickering, lending her coarse features an eerie beauty they had never known in life.

She sees me

– Prologue, ADWD

If the identity and memory of wights are being preserved and animated seemingly without free will by the Others, and those resurrected by fire are having their identity and memory consumed by a singular purpose, then we have a pretty compelling duality. And it gives startling new meaning to a prevalent saying. As I’ve previously agreed that the saying The North Remembers” actually refers to the ability for memory and consciousness to be preserved in the Weirwood trees, which though at one point were scattered all over Westeros, now mainly exist in the North and beyond the Wall. But could it have a second meaning?  Could the Other denizens of the true North, also remember?

It would appear so.

Which really tells us that the wolf is not the refrigerator doesn’t it? so…

 

In review:

  1. How does GRRM prefer to utilize death and resurrection in his narrative?
    – Martin prefers death to transform characters, bringing them back a little less than they were, deteriorating spirit and focusing purpose.
  2. Why did Martin choose to kill Jon Snow?
    – For now I’ll just say it was to transform him in a way that only death could. But I think the deeper and more specific answer to this question is something that I need to take a little further before really answering.
  3. Who is the Beric Dondarrion that Arya meets in A Storm of Swords?
    – An animated corpse who genuinely believes he is Beric Dondarrion.
  4. How much of yourself (personality, memories, habits) can be lost before you are someone else?
    – That’s subjective and depends on how you define identity. If you’ll excuse my philosophy, I see it as a tension of “being” vs “becoming”
  5. What is the difference between a Wolf and a Refrigerator?
    – You put meat in the refrigerator to preserve it. Wolves eat meat. Men are meat.

 


And if Martin didn’t put Jon in the refrigerator, in part II we need go back and take a deeper look at the dead. Who are they really? What is the power that brings the dead to life? and why do they come back? and who is the Lord of Corpses?


Usher is definitely Azor Ahai

Cold War IV. Mirror Mirror beyond the Wall


This will be the conclusion of the Cold War series, and in this essay I’ll be covering fundamentalism, the true meaning of  prophecy and ‘the Winds of Winter’, the politics of fear, magic mirrors, and the role of the protagonists in the final battle.
As arrogant as this likely sounds, and knowing full well I could very well be wrong about everything, I’m really confident about all of this. Probably more than any essay I’ve written thus far. Seriously, reading this may very well be a spoiler for the big twist behind A Song of Ice and Fire. So I’m prefacing this with a  SPOILER WARNING. Proceed with caution, for the essay is long and potentially full of spoilers.


 “When will my reflection show, who I am inside?”

– Mulan

The Holy War

From the very beginning of our story, everything the audience experiences is interpreted through the lens of three simple words. Winter. Is. Coming. It is these three words, our first POV’s being the Starks, and our general understanding that the story must culminate in a war of good and evil, which colors our interpretation of everything. It’s this assumption that makes us presume that the killing of three rangers North of the Wall is inevitably the first step in a genocide. These winds which make us see the systematic expulsion of the Wildlings as the first step in a southern invasion (even though Stannis is able to demolish the Wildling invasion with only 1,500 mounted knights.) Similarly, the characters in our story are being influenced by this propaganda.. and by prophecy.

“Prophecies are, you know, a double edge sword. You have to handle them very carefully; I mean, they can add depth and interest to a book, but you don’t want to be too literal or too easy… In the Wars of the Roses, that you mentioned, there was one Lord who had been prophesied he would die beneath the walls of a certain castle and he was superstitious at that sort of walls, so he never came anyway near that castle. He stayed thousands of leagues away from that particular castle because of the prophecy. However, he was killed in the first battle of St. Paul de Vence and when they found him dead he was outside of an inn whose sign was the picture of that castle! [Laughs] So you know? That’s the way prophecies come true in unexpected ways. The more you try to avoid them, the more you are making them true, and I make a little fun with that.” – GRRM

I find it funny that this quote on prophecy given by Martin, is usually applied to ASOIAF in the most optimistic way possible. I constantly see the interpretation: “this means Jon Snow (and maybe Daenerys too) will be Azor Ahai and save the world no matter what! Even if they are too humble to believe they’re chosen ones. It’s unavoidable!” Not only is this absurdly easy, but it makes no commentary on the human condition aside from asserting that “prophecy is predestined in fantasy because fantasy is a magical false reality”. Except Martin’s writing tends to emphasize free-will as paramount.

Really, the above quote is about how a person brings about their death by listening to a prophecy about their doom, and then uses said prophecy in an attempt to prevent it. If we truly look at what is happening across the world of ASOIAF from the North to the East, this applies to out story in a very ominous way.

mel-crazy

“Melisandre has gone to Stannis entirely on her own, and has her own agenda.” – GRRM

I’ve argued in a past essay that Melisandre has greensight, and is being manipulated by Bloodraven. We know from her POV that Melisandre is genuine in her belief that she acts in service of R’hllor, yet the above quote confirms that her interpretation of her visions and of her religion has caused her to diverge from the rest of her order. As we come to realize, Melisandre is the only Red Priest who isn’t preaching that Daenerys is Azor Ahai reborn. In ADWD Mel gets a vision at the Wall (where her visions are stronger than anywhere else), of Bloodraven. He see’s her back, and the very next paragraph has her bleeding and having flashbacks to her childhood. Given that after his failure at the Blackwater she has brought Stannis to the North, Mel is seemingly being set up to switch allegiance to Jon Snow. And when the time comes that Stannis has outlived his use, Reverse Cassandra Melisandre will likely use her charisma to convert an army to the side of Bloodraven’s King candidate.

“I pray for a glimpse of Azor Ahai, and R’hllor shows me only Snow.” – (Melisandre, ADWD)

Melisandre has done something of incredible significance which no one seems to realize or acknowledge. Yet is staring us right in the face. After Stannis’ defeat at the Blackwater, when Melisandre convinces Stannis to bring his army north to stop the wildling invasion, aide the Night’s Watch, and attempt to take Winterfell in preparation for a holy war for the dawn, Stannis brings with him north of the Wall something incredibly dangerous.

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The banner of “let’s kill Others” is being flown north of the Wall.

He brings an ideology.

Demons made of snow and ice and cold. The ancient enemy. The only enemy that matters.” –  Stannis Baratheon (Samwell V, ASOS)

We as the readers merely applaud Stannis for picking the right fight because we have largely been on board with this since the prologue and Bran’s coma dream. So we don’t see the danger when Stannis brings to the wall a fire worshiping fundamentalist ideology which is totally intent on vanquishing the “thralls of the Great Other.” Talk about escalating the situation; Stannis has been proclaimed the second coming of a fabled flaming sword wielding white walker killing warrior king, and brought his army to their border.

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“Now let’s go burn some people.” – Mannis

Imagine for a moment if Stannis had brought Melisandre to and been victorious at the Blackwater, taken King’s landing, and been proclaimed King of the Andals and the First Men. The Seven Kingdoms would have made it’s official religion the Faith of R’hllor, proclaimed it’s King to be Azor Ahai, and then Melisandre would have convinced the supposed “Azor Ahai” to march his royal army north to stop a wildling invasion and prepare for a holy war against the “true enemy.” The cold children of the Great Other.”

Now I’m not saying that the Other’s worship a Great Other, or genuinely believe Stannis is Azor Ahai, or that these dual gods even exists (in fact I highly doubt it). None of that really matters. It’s only logical that they’d perceive this fire worshiping religion as being bent on their extermination, because it is.

“The way the world is made. The truth is all around you, plain to behold. The night is dark and full of terrors, the day bright and beautiful and full of hope. One is black, the other white. There is ice and there is fire. Hate and love. Bitter and sweet. Male and female. Pain and pleasure. Winter and summer. Evil and good.” She took a step toward him. “Death and life. Everywhere, opposites. Everywhere, the war.
“The war has been waged since time began, and before it is done, all men must choose where they will stand. On one side is R’hllor, the Lord of Light, the Heart of Fire, the God of Flame and Shadow. Against him stands the Great Other whose name may not be spoken, the Lord of Darkness, the Soul of Ice, the God of Night and Terror.” – Melisandre (Davos III, ASOS)
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well as it turns out…
Can we all see the insanity of this yet? Melisandre’s believes the world is hurdling towards Armageddon. Towards the final battle between good and evil. She expects Azor Ahai to wage a holy war against the Others. And remember, Azor Ahai does NOT carry a flaming shield. Azor Ahai carries a flaming sword. Azor Ahai is not a hero who defends the realm against the Others. Azor Ahai plays offense and the Others flee before him. Azor Ahai is a killer.

 

I am driven with a mission from God. God would tell me, ‘George go and fight these terrorists in Afghanistan’. And I did. And then God would tell me ‘George, go and end the tyranny in Iraq’. And I did.” – George W. Bush

“The hostility that America continues to express against the Muslim people has given rise to feelings of animosity on the part of Muslims against America and against the West in general.” – Osama Bin Laden

Over the last decade we saw a similar situation of self-fulfilling prophecy play out in the real world with the American “War on Terror” between radical organizations in the Islamic world, and Neoconservatives in the West. By proclaiming themselves as fighting for the side of Allah, terrorist groups convinced many in America that the “War on Terror” was indeed a Holy War. This prompted many religious right wing Christians to claim that they were fighting on the side of god against an anti-Christian, anti-Freedom ideology, which in turn raised the perception amongst Muslims that the war waged by the west was by nature a war of religion, of “defending a holy land from a nation of crusaders”. And this, along with the war in Iraq, served as the most powerful incentive for recruitment to these radical insurgencies.

“words are wind” – GRRM  (repeated 21 times over ASOS, AFFC, and ADWD)

Not only are the Others themselves representative of the literal winds of winter, arriving like cold winds. But winds are also (excuse me for stating the obvious) air currents which push things in a certain direction. So I’m betting that the larger theme of ‘The Winds of Winter’ is going to be the words, attitudes, and ideas that manifest as winds which blow humanity towards war.

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The North Remembers

I believe this is the true nature of prophecy that this anti-war writer is depicting. Prophecy is not inevitable or a game of clue or a silly gimmick. Prophecy is a promise which challenges people to fulfill or prevent it, bringing to life the forces it describes. By trying to prepare for the War for the Dawn, Stannis, Melisandre, and yes, even Jon Snow, are bringing about the very war they are trying to prevent. By trying to kill Jon Snow and weaken the North with a Wildling invasion, the Others are inadvertently bringing human attention and war upon themselves.

By calling someone your enemy, you make yourself their enemy.

If you are among those who is still drinking Melisandre’s koolaide, convinced that the Others would have come either way; ask yourself, do you think the Others would be coming if humanity and the Children of the Forest were able to coexist and share the lands of Westeros? or if the First Men had come to Westeros peacefully? Would they be coming if mankind hadn’t driven the Children of the Forest onto the lands north of the Wall, putting them in conflict with with the people of the Land of Always Winter? Would they be coming if humans didn’t settle disputes by killing each other all the time, leaving behind mountains of corpses? Would the Others be a problem if the nature of mankind weren’t what it was? Do you seriously think that George R. R. Martin is writing the story of an empire without critiquing the cost of empire building? Or a story about the realities of war which ends in a zombie apocalypse?

 

THIS WOLF ATTACK IS FOR YOUR OWN GOOD

“Winter is Coming” – the words of House Stark of Winterfell
The words winds of Winterfell (words are wind, words = wind)

THE WINDS OF WINTER

Which brings us to the great paradox at the very start of our series; the words of House Stark. Theorists have thought over, and rethought over, and overthought over these words, coupled with “There must always be a Stark in Winterfell,” for years. FOR YEARS. We know these words are enormously significant given not only how early and often they come up, and how the show continually emphasizes them. But given how adamantly GRRM has hammered “words are wind” into the narrative, and how the words of House Stark are indeed the Winds of Winter, and how ‘The Winds of Winter’ was the planned title for the final novel at the early stages when ASOIAF was a trilogy, we need to really look at these words.

Aside from representing the inevitable change of seasons to winter, and the inevitable coming of hard times, these words represent the subsequent need to remain prepared and hold together; as a family, as a kingdom, as a pack, and as a society. And these words represent the fundamental promise of the series that is seemingly confirmed in the prologue. The promise of an army of winter demons invading Westeros.

Because that’s why the Starks say it right? winter was always coming… wasn’t it?

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“AND HE DOESN’T LIKE CHAINS!” – Rickon Stark

Or maybe there was another reason for the Starks of Winterfell to repeat those words for all those thousands of years. Those thousands of invasion free years…

“Fear cuts deeper than swords” – Syrio Forel

It’s been noticed that where all other houses chose a boast for their words, House Stark chose a warning. Many have tried to find loop holes and argue that the Starks are actually boasting, and the white walkers are somehow envoys of the Starks, or that it means the Kings of Winter are coming. And the latter may be part of it. But the greater truth is far more ingenious than that, yet far simpler. It’s not a hidden boast.

House Stark picked a warning.

Warning is better.

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Atreyu’s mind = blown

For whatever reason the Starks chose their house words, they went with the superior political strategy. The words of House Stark appeal to the fundamental human fear of violent death. In warning the people of the North that winter is coming, they are warning people of what comes with it, be it freezing cold, fierce snow storms, hunger, or ice demons. And in doing so, they are using fear to convince the people to stay together. To bend the knee to the Kings of Winter. To uphold social order, maintain feudal oaths and, and keep the kingdom strong. Because Winter Is Coming, and you don’t want to be weak, alone, or unprepared when it does. When winter comes you want to have the Kings of Winter on your side. Everything about House Stark’s identity is about inspiring loyalty by appealing to people’s fear of death. Their very origin legend about Bran the Builder is about a man who built the wall. The wall. The giant Wall of ice which defends mankind from the Others and the wildlings. The inherent promise of House Stark is that they secure the borders of the North and offer protection against the Others.

Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. Summer is the time for squabbles. In winter, we must protect one another, keep each other warm, share our strengths. So if you must hate, Arya, hate those who would truly do us harm.” – Ned to Arya (Arya II, AGOT)

The lone wolf dies, but the pack survives. You want to be part of the pack.

It’s a very old, very common, and very effective political strategy. An empire needs an enemy else it becomes it’s own enemy. It makes sense for a ruler to keep people afraid of an outside foe or some kind of threat to maintain power and sovereignty. Human beings can be proud, greedy, ambitious, and prone to violently disrupting social order for personal or factional gain if they don’t have something to fear, be it their leaders or whatever they need society to protect them from. In modern times we’ve developed a tendency to see “rule by fear” as this purely tyrannical method, but there is both good and bad to it. It’s really a balancing act of order vs. chaos, and protection vs. oppression.

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Which is not necessarily a bad thing.

Sometimes it serves to promote national unity, maintain social order, and prevent violent coups. Yet other times it serves to strip away liberties, alienate outsiders and push people to war. In the United States, parts of Europe, and Israel, fear of Islamic terrorist groups is often used by right wing parties, leaders, or nationalist movements to gain support and remain in power. But often times the rhetoric and military actions of those groups result in war, alienation, and radicalization anyways. Such as how the Iraq War was a major contributing factor in the rise of ISIS (or Daesh as they hate to be called).

Would the Others have come a long time ago if the North was weak and there was no Stark in Winterfell? Maybe? unprovoked conquest has happened in this world and our own. The First Men, the Andals, the Valyrians, the Targaryens, all of them were unprovoked conquerors when it suited them.

Was the North better off thinking they needed the Starks for protection than they would have been otherwise? Probably. Sure the Bolton’s rebelled anyways, but it could have been far worse if there wasn’t a healthy fear and loyalty to the Starks.

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THIS WOLF ATTACK IS FOR YOUR OWN GOOD! LET US PROTECT YOU

But does that mean the White Walkers were always going to invade no matter what Westeros did? 8,000 years of sustained peace makes me think the answer is probably not. The reader was tricked into thinking full scale war was inevitable. By the prologue. By the Three Eyed Crow. By Melisandre. And by the words of House Stark; the winds of winter.

The reader has been tricked into seeing the Starks of Winterfell purely as the nerdy lone scientist who sees the government conspiracy / alien invasion / global warming / giant monster attack before everyone else. The outsider who sees the greater truth but isn’t believed by the establishment. We see that winter is coming and no one believes them. No one believes that doom is coming because mankind is too busy waging war… to go wage war. Yet House Stark was the establishment. For thousands of years, the Kings of Winter used the existence of evil beyond the borders to threaten the North into submission.

And it worked.

VOTESTARK
A VOTE FOR STARK IS A VOTE FOR A SAFER NORTH! #STARK2016 #WinterIsComing

Man in the Magic Mirror

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“If you wanna make the world a better place, take a look at yourself and make a change”

A Song of Ice and Fire has always been Martin’s take on fantasy, with the realities of politics and human nature applied to the often mythical and unrealistic tropes we see in the genre. We have jolly kings, mad kings, and secret princes. Prophecies, Sorceresses and Oracles. Bards, pirates, and jesters. White knights, dark knights, and enchanted swords. Wizards, gentle giants, forest elves, and magic trees. Crones, three wishes, and a kill genie. Maidens, dwarves and evil queens. Wolves, Dragons and Lion Kings. Magic dreams, cursed castles, and fabled cities. Which should make us wonder, where is the magic mirror?

“Magic mirror on the wall, who is the fairest one of all?” – Evil Queen, Snow White

Well…

In the Dawn Age, the First Men invaded Westeros from the south and went to war against it’s indigenous people, destroying their homes and taking their lands, and establishing kingdoms that endlessly warred with one another. Even going as far north at the very least as the Fist of the First Men. Then in the Age of Heroes the Others invaded the realms of men from the north, going to war with the conquering settlers that were the First Men, making unlivable for man the very lands man had just stolen. Man drove the Others back, and someone built a Wall, along which mankind placed a security force.

The Night’s King saw an Other woman and he loved her. She loved him back and became his queen.

So the Others tried making a marriage alliance with that force along the Wall, so mankind  (Starks and Wildlings) drove the Others away from the Wall and ensured it remained neutral, but dependent upon the Starks.

Mankind slowly drove the Children of the Forest to the lands North of the Wall, putting them in conflict with the Others. And now the Others are slowly killing and driving the Wildlings to the lands South of the Wall, putting them in conflict with the Seven Kingdoms.

Mankind heard a prophecy about doom and a promised prince, and sought out that prince. And so did the Others.

The Others gathered their army, and mankind brought an army to the Wall with the burning heart of R’hllor as their banner.

The ruling class of humans force living people to fight and kill each other in wars on their behalf, and the Others kill, raise, and control the dead.

Humans exclude and give up their bastard children, and the Others take them.

staring back

They’re like our mirrors. Staring back at us.

“I am reminded that at the L.A. Worldcon in 2006, George was on a panel and he was talking a bit dismissively about the cookie-cutter fantasies with a Dark Lord that’s the ultimate evil, wants to destroy the world, etc. and he said, you know, nothing is ever that black and white in reality, history’s greatest villains and monsters were, from their own perspective, heroic, etc. And he basically said he didn’t want to write about a Dark Lord sort of situation. And so someone followed up asking, Well, what about the Others? They seem pretty clearly evil. He paused and then smiled and said we’d have to keep reading to see where that goes. It implied to me that, yes, there’s more to the Others than what we’ve seen so far.” – Elio Garcia on GRRM

“Perhaps it had only been a bird, a reflection on the snow, some trick of the moonlight. What had he seen, after all?” -Will (Prologue, AGOT)
“A shadow emerged from the dark of the wood. It stood in front of Royce. Tall, it was, and gaunt and hard as old bones, with flesh pale as milk. Its armor seemed to change color as it moved; here it was white as new-fallen snow, there black as shadow dappled with the deep grey-green of the trees. The patterns ran like moonlight on water with every step it took.” – (Prologue, AGOT)
“Its armor rippled and shifted as it moved, and its feet did not break the crust of the new-fallen snow.” – (Samwell I, ASOS)
“Beneath were bones like milkglass, pale and shiny, and they were melting too.” – (Samwell I, ASOS”
[GRRM] told me of the ice swords, and the reflective, camouflaging armor that picks up the images of the things around it like a clear, still pond. – Tommy Patterson
“They’re never far, you know. They won’t come out by day, not when that old sun’s shining, but don’t think that means they went away. Shadows never go away. Might be you don’t see them, but they’re always clinging to your heels.” – Tormund (Jon XII, ADWD)
“(We’ll learn more about their) history, certainly, but I don’t know about culture. I don’t know if they have a culture.” – GRRM
Trick of the moonlight? No culture of their own? Glass? Shadows? What are pale white shadows but reflections? and who’s shadows? what are they reflecting? well as it turns out the answer has been staring us in the face this whole time.
The Others are reflections of mankind.
Not necessarily in a literal sense, but certainly in a literary and behavioral sense. The Others don’t have culture. They mirror. They imitate. They appropriate. They are our bastard children. Snows with their wights. This is their nature. They are icy beings that reflect back what is used against them. Just as those living south of the Wall are required to fight and kill in the wars of the King or Lord who’s lands they live under, those “free folk living north of the Wall are used by the Others as wight soldiers (on much rarer occasions). Martin is not using the Others as a hypothetical zombie apocalypse or a genocidal alien invasion. Martin has by no accident called these ice spirits ‘the Others’. Remember what I said before about the purpose of the Other in sociology:

The SELF requires the existence of the OTHER to define the SELF.

And how do we identify ourselves? We look into a mirror and gaze upon our reflection.

Martin is as Shakespeare said, ‘holding the mirror up to nature‘. The Others are what we find through the looking glass. The Others are the reflections of how humans treat the sociological ‘other’, and they are terrifying. What does that say about us that we are terrified of our reflections? That we are terrified of someone doing to us what we do to outsiders? What does that say about how we treat those who we view as the other? The ending is not about what we should do in the event of a zombie apocalypse. It’s an indictment on how we treat each other.

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There are actually some pretty deep parallels between ASOIAF and the Neverending story.

“Oh, that’s what everyone thinks! But kind people find out that they are cruel. Brave men discover that they are really cowards! Confronted by their true selves, most men run away screaming!” – (Engywook, The NeverEnding Story)

In ‘The Neverending Story’ the hero Atreyu in trying to reach the wisdom of the oracle Uyulala, must pass through the ‘Magic Mirror Gate.’ This gate shows the viewer their innermost nature. And when confronted by that nature, most men are terrified. Having the innocence of youth, the gate only confuses Atreyu by showing him Bastian (which terrifies Bastian who is reading the story). But all the same, in the book when Atreyu passes through the gate he is without memory of his past self, reborn anew. And it’s this confrontation and purging of his past self and subsequent rebirth which allows him to proceed.
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Atreyu faces the magic mirror gate.
The magic mirror of A Song of Ice and Fire, is none other than the Wall itself. This giant Wall of ice which divides the Seven Kingdoms from the wild beyond it, is like a mirror to that which lies south. Just as Martin has written the Wildlings as a bunch of disparate anarchist clans who are perpetually hateful of and in conflict with one another, the people of Westeros have become a bunch of disparate kingdoms and factions perpetually hateful of and at war with one another. Just as the Free Folk are united by the common threat of the Others under a King-Beyond-the-Wall, so will the threat of the Others unite the realms of men under a King-Beyond-the-Wall.
“You’re definitely going to see more of the Others in The Winds of Winter… What lies really north in my books—we haven’t explored that yet, but we will in the last two books.” – GRRM
The relationship isn’t literally 1:1, but from a literary standpoint the Wall functions like a mirror, with the events north of the Wall as a microcosm of the events south of the Wall. The Others reflect what humanity uses against them and reverses it back at realm. They are not reflections of the best of humanity. Nor are they reflections of the worst of humanity. But they are reflections of humanity’s movements towards them.
And if the Others are reflections of what humanity puts forth towards them, then war is definitely coming.

Mr. Joramun Tear Down This Wall

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“I am the Lord of Winterfell,” Jon screamed….
… and woke with a raven pecking at his chest. “Snow,” the bird cried. – (Jon XII, ADWD)

In the Winds of Winter, Jon Snow will be reborn by fire much like Berric or Stoneheart. Naturally Stannis or Jon will take Winterfell. With Stannis dead, the show will likely have Jon do this with the Wildlings he just let through the Wall (and maybe Littlefinger and the knights of the Vale will help), but the books may have this be Stannis (though I mostly suspect Jon, given his determination to kill Ramsay). If it’s Stannis, a man raising a banner of a burning heart and claiming to be Azor Ahai AKA champion of fire and slayer of the Others, will have taken the seat of the King’s south of the Wall. Regardless if Stannis takes Winterfell or not, Stannis will likely die at some point after the burning of Shireen, and then Jon will take Winterfell, either in battle leading the Wildlings and the remainder of Stannis’ forces, or after being resurrected from the crypts. Either way, Jon will obtain the thing he always coveted but could never have because of his status as a bastard. Jon will take Winterfell, and from the Other’s perspective the new King of Winter will be the blood of the dragon, reborn by fire and proclaimed Azor Ahai. Once again we have to bear in mind, calling oneself Azor Ahai is basically an open threat to the Others.

“Mr. Gorbachev, tear down this wall!” – Ronald Reagan

Meanwhile, I suspect Samwell Tarley possesses the Horn of Jorgmungandr Joramun. Acting as the Heimdal parallel in the great big Ragnarok metaphor we have going, Sam will likely blow the horn signaling the Wall to go down, and also waking the power of the old gods / greenseer from the earth. This will likely result in earthquakes. Yet the tearing down of the Wall, as much as it terrifies the Watch, will actually signal to the Others that the realms of men are preparing for war, and the Jötunn Others will advance.

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Where is that third dragon? hmm….

To the south Daenerys Targaryen will have arrived to take King’s Landing or at least Dragonstone. In the show I suspect Cersei will burn down the Red Keep (maybe much of KL). But the books will place Daenerys in conflict with Aegon, with Tyrion having accused his claim of being false resulting in a second Dance. About when Daenerys fulfills her desire of taking her Kingdom, and likely once Tyrion obtains vengeance on those who mocked and wronged him, is likely when the Wall will fall. And with Fenrir Bran’s powers unbound, the Winged Wolf will skin change one of Dany’s dragons and take flight.

YEAAAAA
Yes dragon riding is cool, but there is a downside here.

“You will never walk again, Bran… but you will fly.” – (Bran II, ADWD)

That brings us to the second thing Jon always wanted, to know his true parentage. This could be revealed to him by a number of people, but I suspect the most likely candidates are Mance Rayder (from some secret in the Crypts), Howland Reed (due to his presence at Harrenhal and the Tower of Joy), or Benjen Stark (due to his intimate knowledge of Ned and Lyanna’s nature). Though in the show I also offer Littlefinger as a candidate based on how his crypt conversation with Sansa indicated inside knowledge of the R+L scandal. But to actually prove his true parentage, Jon’s sword in the stone moment will come in the form Bran Stark bringing a dragon to Winterfell. It will be Bran who provides the dragon to ultimately prove the man is who he says he is, the son of Rhaegar and Lyanna.

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Like Ghost, Falkor the Luck Dragon is also an albino. And Jon Snow is basically Atreyu.

“The wolf will prove the boy is who he says he is” – Wyman Manderly

And then come the Others. When the Wall comes down and the man proclaimed to be the one true King of the Andals and the First Men at Winterfell is an undead fiery blooded, dragon riding, Valyrian steel sword wielding, champion of R’hllor and the prophesized slayer of the Others, declaring to the realms of men that Winter is Coming, and they must all unite under him to destroy the true enemy to the north; THAT is when the war with the Others will arrive.

Because humans will have basically declared war.

Note: This is just one possibility. It’s also possible that the Wall coming down and a Valyrian steel wielding blood of the dragon Jon reborn by fire, proclaimed Azor Ahai and King in the North, will be enough to bring war with the Others. So there is the potential that the dragons will arrive later with Daenerys’ after the war has already begun. Though there are a lot of variables, I’m confident that it will play out specifically that several of the protagonists ascension to power is what ultimately incites the conflict.

The great irony is that the war will come not only when, but because several of our protagonists obtain what they desire.

Too often theorists determine that the coming of the Others is like a switch which has nothing to do with the actions of our characters or anything happening in the novels. Theories tend to propose that the answer is in Asshai, or some mystic fire switch that was pulled at Summerhal which made war inevitable, or revenge for the Night’s King that just took thousands of years to plan, or an invisible cosmic magic balance. The war will happen not because of evil mustache twirling villains, or because wicked ice demon are inexplicably hungry for genocide, or because a cosmic hourglass of ice and fire was turned over.
War will come because (Stannis?), Jon, Dany, Tyrion, and Bran, will obtain the power they desire. Our characters will not simply be responding to senseless random evil and from afar, nor are they merely fixing something brought on by the sins of previous generations. When a just man believing himself the rightful king by law claims Winterfell and makes the ultimate sacrifice. When a bastard boy takes the castle he was always denied for circumstances beyond his control, and learns that he is truly a king destined to be the hero he always wanted to be. When an exiled girl with the power of dragons returns home as the proclaimed champion of fire to reclaim her birthright as Queen of Westeros. When a dwarf, mocked throughout his entire life, returns to the city which condemned him and the family that reviled him to take revenge. When a crippled boy who has had everything taken away from him, harnesses his powers and learns to fly. War will come when these characters (and possibly more) obtain the power and vengeance they desire to fight the enemies they hate. The power they feel they rightly should have for the greater good. It’s this very desire for power and vengeance which will bring the world to war.

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
~ Fire and Ice, by Robert Frost
likevadermask
Luke Skywalker has a vision where he kills Vader and see’s his own head in Vader’s helmet. There is a double meaning here.

In this I believe GRRM is presenting an uncomfortable and typically unexplored reality. Usually in stories, the well-intentioned protagonist obtaining what they desire is depicted as “what is best for everybody except the evil bad guys.” But in the real world there are always consequences to the pursuit and acquisition of power. And I don’t mean that to be at all so simple as accusing the main characters of being the REAL villains for taking power. Absolutely not. After all most of them have relatively noble intentions and have had to make hard choices. Still that doesn’t mean that their rise to power isn’t threatening. Power is always threatening as by its very nature power implies that which is to be feared. Power is dominance and dominance cannot exist without something to be dominated. One man’s rise is another man’s fall. One man’s revolutionary is another man’s terrorist. We view our protagonists as we would humble Luke Skywalker, yet what the story has shown us time and time again is that no one ruler can simultaneously be or do what is best for everyone. Maybe a plurality or even a majority, but not everyone. So what happens when the rebel becomes the king? Does one man’s Luke Skywalker, not then become an Other’s Emperor Palpatine?

Now How it Ends

“No,” Ned said with sadness in his voice. “Now it ends.”- (Eddard X, AGOT)

If this series has been convincing at all for you, then I’ve have made more apparent the tragedy in what seemed like a glorious holy war for human survival. At this point you may be having second thoughts about wanting the Others exterminated, or seeing war as the answer, and are maybe wondering if there is a way out. This is a story after all, and maybe you still want to see a final shootout. Or you may be wondering if any of our characters might be able to make peace instead of war.

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I highly recommend the movie Seven Psychopaths.

I doubt it. It’s sort of hard to see where such a peace could even come from at this point. The Others really have no reason to trust humanity, particularly if they see a path to victory. Humanity has already proved deadly, inconsistent, and uncompromising, and rarely keep vows between one another, let alone a treaty with the Others. The White Walkers and the army of the dead are still monsters from a fairy tale to most of Westeros, and to imagine they will go from being a ghost story, to an imminent apocalypse, to respected neighbors, in such a short time is hard to imagine. The Others don’t even speak the language of humans.

“Jon  was armored in black ice, but his blade burned red in his fist. As the dead men reached the top of the Wall he sent them down to die again.” – (Jon XII, ADWD)

Much is said of Jon Snow as a man who unites different peoples given his track record with the wildlings, with people going so far as to compare him to Jesus. Yet Jon’s inclination to make peace with the wildlings was built primarily on his natural human attraction and love for Ygritte, and his fear of the Others. He has thus far been inclined towards clear cut traditional morality, and his resurrection is likely to make him less idealistic. And having been raised a bastard boy himself, it’s hard to imagine he would accept a treaty in which bastard children are taken from their mothers.

“That night she dreamt that she was Rhaegar, riding to the Trident. But she was mounted on a dragon, not a horse. When she saw the Usurper’s rebel host across the river they were armored all in ice, but she bathed them in dragonfire and they melted away like dew and turned the Trident into a torrent. Some small part of her knew that she was dreaming, but another part exulted. This is how it was meant to be. The other was a nightmare, and I have only now awakened.” – (Daenerys III, ASOS)

As for Daenerys, she has already been dreaming of an enemy to her people just like the Others which she can burn away with dragon fire. Daenerys’ entire arc has driven her away from peace as a solution, and brought her towards the conclusion that force is the path towards the greater good, and she happens to have exactly the kind of force necessary.

And Bran is still a kid, sitting under a cave with Bloodraven and the Children who have orchestrated the whole conflict. There another race on the verge of extinction if this war doesn’t happen and doesn’t result in a new dragon monarchy, sustained through the absolute power of dragons and the fear of the Other and the promise of protection from the Others. Though Bran is likely to obtain the most knowledge of the greater history and the true nature of the conflict which the Seven Kingdoms find themselves, that knowledge also faces him with the most complex moral decision of all.

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Really though GRRM has stated the ending will be bittersweet.

You have to wonder what value there is for either side in peace predicated on the word of a single individual or monarch. GRRM has described the ending as “bittersweet”, so it’s hard to see the ending resulting in defeat for humanity, so even if the Others happen to obtain some kind of Blue Eyes Wight Drogon, it’s unlikely they will be able to overcome humanity. But it’s also tough to see the story ending in  a situation where “everybody wins” or “everyone gets along.” There needs to be a bitter part to have a bittersweet ending, and perhaps the reader and the protagonists coming to an understanding about the tragic cost of creating a new world is part of that. Maybe the heroes can change things, or maybe not everyone gets a happy ending. The Seven Kingdoms might not be ready for one. Perhaps it’s not about whether the entire world chooses peace. Maybe the best we can hope for is that the few people our story has centered on can learn from all of this, and transcend hatred, desire and fear. Maybe in the end what matters is the self understanding and inner peace a few characters can take forward with them, and the promise of a kinder world. The hope that one day we can look into the mirror and see fairer reflections staring back at us.